A Quote by Mark Rylance

I'm quite simple, really. I like to play and inhabit my character. I really like to inhabit the situation. It's the situation that intrigues me. — © Mark Rylance
I'm quite simple, really. I like to play and inhabit my character. I really like to inhabit the situation. It's the situation that intrigues me.
I like to watch and perform the kind of comedy that comes out of the situation - where the character is really serious and in a tough situation and doesn't realize that the situation is comic.
I just like to inhabit a character really deeply.
For me, character comes from a specific condition or situation. I cannot really define a character outside that situation.
The inspiration really comes first from the character and the story. That vision of what the story is, and what the character is, the world that they inhabit and what the story wants to tell. That's really what inspires me.
Those situations were just taking over my entire life. It was fun to write in a way, because it helped me take a really bad situation and a really sad situation and make beautiful songs out of them. When I got half of the song written it was like, "Oh, this is great." It was like the one thing that was making me happy again.
The reason I feel like I act is because you get to live a million different lives in one. I don't have to go about my life, just being easy-going New Zealander Rose. Sometimes I can inhabit a feisty, vicious character. Sometimes I can inhabit a painfully shy British girl, or whatever it might be.
Caretake this moment. Immerse yourself in its particulars. Respond to this person, this challenge, this deed. Quit evasions. Stop giving yourself needless trouble. It is time to really live; to fully inhabit the situation you happen to be in now.
Sometimes I can inhabit a feisty, vicious character. Sometimes I can inhabit a painfully shy British girl, or whatever it might be. I'm able to step into these other parts of myself. I feel like, as long as I keep doing that in my career, and I keep tapping into different parts of the human condition, that's all I ask for.
Potentially, you do inhabit different worlds. And while there are no specific roles I'm burning to play, as far as acting in the future goes, I'd really like to have done searing work.
Some TV shows are like really good novels in that there are enough episodes that you start to have your own feelings about how the characters should act. When the scriptwriters go slightly wrong, when they make the character make a left turn that he or she wouldn't do, you know enough about the characters to say, "No, that's not what she would do there. That's wrong." You can actually argue with a TV show in a way that you can't do as much with movie - you inhabit a TV show in the way you inhabit a novel.
When something arrives, you have no idea what's in it, which is good. And then, it's is the story leaps off the page at you and how your character functions within it. There could be just one scene and if it's wonderful, it doesn't matter how much you're working on it because you just want to be in it. It's really about what your character's day to day world looks like, and if you feel like that's something that's complete, and that you'd like to inhabit for awhile. You'll know by a couple of scenes in. If the character grabs you, you run with it.
I guess, as an actor, you have to bring something personal to the character - you've got to identify and love one element of the character, or else you can't really inhabit and find ownership.
I don't feel like I have the intelligence to really inhabit a consistently high level of prose.
When I first went from a band situation to a solo situation, it was quite an adjustment to make. But after having done it for a number of years, it really feels good out there.
I'm a big reader, so when I was in 'Pride and Prejudice,' or, like, in Poirots and Marples, those are all books that I loved, and so it was really exciting for me to inhabit characters from literature that I knew and recognized.
To play a character is to inhabit the world and the life of that character.
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