A Quote by Mark Rylance

You try, as an actor, to wear a mask; you're serving a story. — © Mark Rylance
You try, as an actor, to wear a mask; you're serving a story.
We wear the mask that grins and lies, It hides our cheeks and shades our eyes,- - This debt we pay to human guile; With torn and bleeding hearts we smile And mouth with myriad subtleties. Why should the world be otherwise, In counting all our tears and sighs? Nay, let them only see thus, while We wear the mask. We smile, but, O great Christ, our cries To thee from tortured souls arise. We sing, but oh the clay is vile Beneath our feet, and long the mile; But let the world dream otherwise, We wear the mask!
People think, 'You're an actor, you can afford clothes,' but I just try to take the clothes from the movie, which makes the selecting of film projects that much more difficult, because you try to play characters that might wear something you'd want to wear.
Even when I was a young kid, I always told my uncle that, when I became a wrestler, I wanted to be Rey Mysterio, Jr. and I wanted to wear the mask. I always pictured myself wearing a mask. I dreamed about it for so long. I wanted to be one of those luchadores who wore the mask, the cape, and the fancy outfits.
I'm really trying to just keep this internal, and be faithful to the story and the characters, and keep 99.9% of my brain there, serving the story. It's a great network. It's the golden network of cable, so it's totally an honor to be there and tell this story, but I try not to think about anything beyond that.
When you wear the mask, the mask becomes you.
When I'm shooting, I don't care who the star is. I have an actor playing a part, and I'm serving the script, not serving anyone's career.
For me, the only ego that needs serving in putting together a film is the story's, the ego of the story and it's the piece itself that you want to bring out the voice of the piece. You're really serving that and that's the thing that you have a basic understanding of.
I wear the mask. It does not wear me.
I think we all wear some kind of mask. There are masks that shield us from others, but there are masks that embolden us, and you see that in carnival. The shiest child puts on a mask and can do anything and be anybody.
When you're writing, in theory, everybody is serving you. When you're directing, you're serving everybody - in the guise of acting like everybody's serving you. But you're really serving the materials. You're serving the actors. You're in charge, but it's not free.
As a child I always loved traditional Korean masked dances. There is something magical about a mask because we all wear or hide behind a metaphoric mask, and ultimately underneath this metaphor is our true vulnerable core. I think we all want to reveal ourselves but can only do so when we feel we are safe.
'Tis not need we know our every thought Or see the work shop where each mask is wrought Wherefrom we view the world of box and pit, Careless of wear, just so the mask shall fit And serve our jape's turn for a night or two.
Say the whole point of love is to try to get your fingers through the holes in the lover's mask. To get some kind of hold on the mask, and who cares how you do it.
You want to do movies that you are proud of - telling a story that you want to tell, not a story that you are forced to. Of course, as an actor, there are some things that you do that you try to forget about, but that's part of the job.
When I was trying to achieve my goal, I started training. I became a character, and everyone was expecting me to become the 'Prince of...' or the Middle-Eastern, and I wanted to wear a mask, and I wanted to be like a luchador from Mexico. And people asked me, 'Why are you putting a mask on?' And the truth is, I did not want to deal with who I was.
I don't consciously sit down thinking I'm blurring genre lines, for the most part. I try to stay focused solely on serving the needs of the particular story on which I'm working.
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