A Quote by Mark Rylance

I had to turn down a part in 'Empire of the Sun.' It would have paid £15,000, which was a year's earnings for me then, but I was offered a season at the 'National Theatre.'
'Guyism' wanted a daily video series. They told me they were planning on hiring a girl and then hiring someone to write all her jokes. Then they figured it would be easier just to get me, so they offered me $750 a month to do it, which turned into an offer to move to New York and do it full-time for $30,000 a year.
The first time I came to London on my own, I was 15. I was absolutely oblivious to so many things. I had no expectations, no fears. I just came to do a National Youth Theatre season one summer. It was just brilliant.
I came to theatre as a teenager by going to the National Theatre when it was at the Old Vic and sitting on padded seats in the gallery for 15 pence, which was the price of a bus fare.
A part of me would like to see the money go to hospitals or housing, but I have benefited so greatly from funding for the National Theatre, which has been incredible.
The year-round nature of women's basketball takes its toll and the financial opportunity with my team in Russia would have been irresponsible to turn down. They offered to pay me to rest and I've decided to take them up on it.
My first contract I was offered by the UFC, or my second contract, it was 1-and-1, 2-and-2, 3-and-3. That's $12,000 for the year. Don't complain to me about fighter pay. It was $12,000 for a year, and it was exclusive.
I went to Indiana University for college for a couple of years where I double majored in dance and journalism, and after my sophomore year there, I went to the San Francisco Ballet school for the summer, but then they offered me a scholarship to stay for the year. That's where I danced after the year they offered me a contract with the company.
There are at least two distinct meanings of 'hot': there is the, like, normal human definition which is that 'this individual seems suitable for mating'. And then there's the weird, culturally constructed definition of 'hot' which means, 'that individual is malnourished and has probably had plastic bags inserted into her breasts'. Like, I think if you went back to the 18th century and asked a 15-year-old boy, 'Would you like to marry a woman who has had plastic bags needlessly inserted into her breasts?' that 15-year-old boy would probably be like ... 'What's plastic?'
I'm not being offered a constant stream of wonderful parts with wonderful directors that would keep me away from the theatre. When they turn up, I do them.
I think I look very healthy. You've already seen what I've eaten, so I couldn't be anorexic, and I wouldn't throw up if you paid me $1,000, so I'm not bulimic. Okay, for $1,000 I would stick my finger down my throat, but throwing up is the worst thing in the world.
I think I felt compelled in a way because if I hadn't written the part, I never would have been offered the part. There are at least 10 guys who would have been offered the part before me.
To encourage more top-caliber students to choose teaching, teachers should be paid a lot more, with starting salaries more in the range of $60,000 and potential earnings of as much as $150,000.
If you're going to buy something which compounds for 30 years at 15% per annum and you pay one 35% tax at the very end, the way that works out is that after taxes, you keep 13.3% per annum. In contrast, if you bought the same investment, but had to pay taxes every year of 35% out of the 15% that you earned, then your return would be 15% minus 35% of 15%-or only 9.75% per year compounded. So the difference there is over 3.5%. And what 3.5% does to the numbers over long holding periods like 30 years is truly eye-opening.
Every bad decision I've made has been based on money. I grew up in the projects and you don't turn down money there. You take it, because you never know when it's all going to end. I made Cop III because they offered me $15 million. That $15 million was worth having Roger Ebert's thumb up my ass.
I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.
In Louisiana, President Bush met with over 15,000 National Guard troops. Here's the weird part, nobody remembers seeing him there.
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