A Quote by Mark Salling
I like a girl who doesn't play any games. I like a very sweet girl.
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When people say, 'You run like a girl; you play like a girl,' it's not what it used to be. That shouldn't be negative. You should be proud to play like a girl.
I think I can deceive people. I'm like, the nice, sweet girl when you meet me. And I don't have any bad intentions. But I'm a bad girl too.
What do I like in a girl? I like a girl that likes me, a girl that knows how to smile and see the bright side of things. A girl that makes me a better person.
Marilyn Monroe was a very sweet girl, she was a very innocent girl.
I started out doing things like 'Flash Forward,' where I was the girl-next-door, and then, I did a show called 'Higher Ground,' where I played this really mean, sarcastic girl. Then 'Firefly' happened, and everybody thought of me as this bubbly, sweet girl-next-door again.
I like to play board games a lot with my girl, things like that. We attempt to cook. And even if it goes wrong, it doesn't matter because it's the time you spend doing it that's important.
I like a girl who can be a girl but also ready to play basketball.
I'm the girl who's like, 'Why wear heels when I can wear tennis shoes and be comfortable?' I've always been the girl who's like, 'Let's go play basketball.'
I'm the girl who's like, 'Why wear heels when I can wear tennis shoes and be comfortable?' I've always been the girl who's like, 'Let's go play basketball.
I never get the girl - I always die. That is the catch with playing bad. I'm actually a very romantic person, and I would like to play in a love story. As long as it doesn't get too sweet. That's not me.
Deep down inside, I'm really a black girl stuck in a Mexican girl's body. But I'm also in touch with my inner white girl and my inner Asian girl. I feel like a little bit of everybody.
I had started acting when I was 7, and I was always wrong. I would always get to the very end [of the audition], but I wasn't a perfect package of one thing. I wasn't a cliche, and it always worked against me. I wasn't pretty enough to play the popular girl, I wasn't mousy enough to be the mousy girl. Then there was a TV show that Toni Collette was starring in. And when a role to play a girl who was struggling with identity came, I thought: "Oh, this is what I was supposed to do. Everything's leading up to this moment." I was 18. I was like, "This is it." I didn't get it. And I was devastated.
You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.
My new movie, Fools Rush In, is a romantic comedy and the girl I play in that is very warm, very sweet.
I told my mom, 'I'm not buying another magazine until I can get past this thought of looking like the girl on the cover'. She said, "Miley, you are the girl on the cover,' and I was, like, 'I know, but I don't feel like that girl every day.' You can't always feel perfect.
People don't connect the girl that sang 'Mickey' with the girl who was one of the seven original Lockers or the same girl who was in 'Easy Rider' or the same girl who choreographed David Bowie, Tina Turner, and Bette Midler tours. It's like I've led five lives.
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