A Quote by Mark Slouka
Consider it: Who but God could have dreamed a tale so absurd and so heartless?
Related Quotes
I dreamed I spoke in another's language, I dreamed I lived in another's skin, I dreamed I was my own beloved, I dreamed I was a tiger's kin. I dreamed that Eden lived inside me, And when I breathed a garden came, I dreamed I knew all of Creation, I dreamed I knew the Creator's name. I dreamed--and this dream was the finest-- That all I dreamed was real and true, And we would live in joy forever, You in me, and me in you.
. . . an absurd problem came to the surface: 'How COULD God permit that (crucifixion of Jesus Christ)!' . . . the deranged reason of the little community found quite a frightfully absurd answer: God gave his Son for forgiveness, as a SACRIFICE . . . The SACRIFICE FOR GUILT, and just in its most repugnant and barbarous form - the sacrifice of the innocent for the sins of the guilty! What horrifying heathenism!
What you have to consider is the possibility that God doesn't like you. Could be, God hates us. This is not the worst thing that could happen.
Maybe my fairy tale has a different ending than I dreamed it would. But that's OK.
From a tale one expects a bit of wildness, of exaggeration and dramatic effect. The tale has no inherent concern with decorum, balance or harmony. ... A tale may not display a great deal of structural, psychological, or narrative sophistication, though it might possess all three, but it seldom takes its eye off its primary goal, the creation of a particular emotional state in its reader. Depending on the tale, that state could be wonder, amazement, shock, terror, anger, anxiety, melancholia, or the momentary frisson of horror.
I don't think Kant's theory looks bad to people except insofar as they have misunderstood it (for instance, as heartless and ironheaded, or as committed to an absurd metaphysical conception of freedom that violates Kant's own philosophy).
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
Don't tell me about heaven. What about in this life, that there is a better way, that this is not in vain, that it is not Edward Albee or Camus's absurd, the theater of the absurd, it is not Shakespeare - "full of sound and fury, signifying nothing" - that life has meaning and that God is still in control, and that God can, and God will, so people of goodwill, working hard, do something about the situation? We can change.
The absurd . . . the fact that with God all things are possible. The absurd is not one of the factors which can be discriminated within the proper compass of the understanding: it is not identical with the improbable, the unexpected, the unforeseen.
I was sorry for her; I was amazed, disgusted at her heartless vanity; I wondered why so much beauty should be given to those who made so bad a use of it, and denied to some who would make it a benefit to both themselves and others. But, God knows best, I concluded. There are, I suppose, some men as vain, as selfish, and as heartless as she is, and, perhaps, such women may be useful to punish them.
This was not a fairy-tale castle and there was no such thing as a fairy-tale ending, but sometimes you could threaten to kick the handsome prince in the ham-and-eggs.
God could not have chosen anyone less qualified, or more of a sinner, than myself. And so, for this wonderful work He intends to perform through us, He selected me- for God always chooses the weak and the absurd, and those who count for nothing.
I've always been literally a lover of the absurd. I think the absurd gives a new dimension to reality and even to common sense. And life, you know, on an everyday basis, is absurd, or may turn out to be absurd. There's no reality without absurdity.
The key to contentment is to consider. Consider who you are and be satisfied with that. Consider what you have and be satisfied with that. Consider what God's doing and be satisfied with that. You will be amazed at how much more comfortable you'll feel with yourself. Finally, consider this: If contentment cannot be found within yourself, you'll never find it.
The MC that we love are usually the ones that we consider be kinda heartless, like 50 Cent. That's pretty much the prowess and power of an MC. That's what sells.
The delight we experience when we allow ourselves to respond to a fairy tale, the enchantment we feel, comes not from the psychological meaning of the tale (although this contributes to it) but from its literary qualities-the tale itself as a work of art.
Related Authors
Charles Bukowski Quotes
American
Novelist
Charles Dickens Quotes
English
Novelist
Chuck Palahniuk Quotes
American
Novelist
Ernest Hemingway Quotes
American
Novelist
George Eliot Quotes
British
Novelist
George Orwell Quotes
British
Novelist
George R. R. Martin Quotes
American
Novelist
Jane Austen Quotes
British
Novelist
Johann Wolfgang von Goethe Quotes
German
Novelist
Margaret Atwood Quotes
Canadian
Novelist
Nicholas Sparks Quotes
American
Novelist
Paulo Coelho Quotes
Brazilian
Novelist
Sarah Dessen Quotes
American
Novelist
Stephenie Meyer Quotes
American
Novelist
Veronica Roth Quotes
American
Novelist
Victor Hugo Quotes
French
Novelist