A Quote by Mark Spitz

I walked away from the sport for 17 years, then started swimming again recently in a master's program. — © Mark Spitz
I walked away from the sport for 17 years, then started swimming again recently in a master's program.
I played drums since I was 6 years old. And then I got into producing music when I was about 16 or 17. Somebody showed me FL Studios, the program. My beats were bad at first, but then eventually they started to get good.
I got bored and then joined the British SAS. It was five very exciting years of my life, and then I'd always had this passion for swimming, so started swimming around the world, in some of the most exotic and distant and dangerous locations.
Swimming is more than a once-every-four-years sport. My goal is to bring attention to swimming - to give it some personality.
I started as a rave promoter when I was 17 years old; then I started DJing at 19.
At the age of 10 I started writing to the BBC about getting into broadcasting. It went on for years. I was 17 when they finally gave in and offered me a job as a bookings clerk in sport and outside broadcast.
[Manhattan School Of Music] were kind of just getting the jazz program up and going when I first started there. I was 17 in September of 1984 when I started there.
There are great jazz educators that I meet all the time. I met a guy named Paul Luchessi who has a high school jazz program in Fresno. And Bob Athayde who runs a junior high program in Lafayette, California. And man, we walked into these schools and Paul Luchessi said, "Jon is the composer of Paradox." A hundred or something kids started to applaud. "What? You guys know that? I'm so blown away.
I have this theory about us. When we started writing our own songs, we were 17 years old. When you're 17, you write songs for other 17-year-olds. We stopped growing musically when we were 17. We still write songs for 17-year-olds.
We went 60 years or more with no immigration, folks. It can be done. The only reason that it started up again, Ted Kennedy started bellyaching about it in the mid-sixties, and then that led to Simpson-Mazzoli 20 years later, 1986, amnesty for about 3.9 million, and we were told that would be it, never again, and of course now we're where we are.
I walked slowly out on the beach. A few yards below high-water mark I stopped and read the words again: WRITE YOUR WORRIES ON THE SAND. I let the paper blow away, reached down and picked up a fragment of shell. Kneeling there under the vault of the sky, I wrote several words, one above the other. Then I walked away, and I did not look back. I had written my troubles on the sand. The tide was coming in.
Getting to the Olympics was, has always been, my swimming dream since I was 8 or 9 years old. You know, right after I started swimming it was, 'I want to make an Olympic team. That's where I want to be.'
I was always hugely into sport before I started boxing. I played rugby, football, cricket, athletics, swimming.
I believed in God my whole life, and then strayed away from it in my teen-age years, until recently.
I actually met one of my business partners [Neal Dodson] at the Governor's School summer program, so we've known each other since we were 15 and 16 years old, and we both ended up at Carnegie Mellon together. He started working for a producer out of school after a few years, and then we started the company together.
My dad plays the fiddle. He stopped playing for years. He was playing when I was a baby, and then he stopped for about five years, or ten years, he says. Then all of a sudden he started playing again, and we all got interested. We started having people like Ciarán Tourish coming up to the house, and Dinny McLaughlin, who taught Ciarán, and who taught myself as well. And it just grew from that
Swimming is not a sport. Swimming is a way to keep from drowning. That's just common sense!
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