A Quote by Mark Steyn

If you look at the range of Hollywood movies playing in most cities in the developing world, you'd hate the America they portray, too. — © Mark Steyn
If you look at the range of Hollywood movies playing in most cities in the developing world, you'd hate the America they portray, too.
Some of my favorite movies are Hollywood movies. Hollywood is part of the cinematic spectrum. I nurture a healthy love-hate relationship with Hollywood.
Hollywood has to appeal to the broadest audience, and when it comes to most social and economic issues, America is progressive. Because of that, the messages that are in Hollywood movies tend to be, for instance, pro-environment.
When you go to urban America and you look at cities around America. People are moving back into the cities at record numbers. In the 1980s it was a flight to the suburbs. And now in 2017, it's a flight back into the cities.
There are almost no beautiful cities in America, though there are many beautiful parts of cities, and some sections that are glorious without being beautiful, like downtown Chicago. Cities are too big and too rich for beauty; they have outgrown themselves too many times.
Fifty percent of the world's population lives in cities. In a couple of decades, 70 percent of the world's population will be living in cities. Cities are where the problem is. Cities are where the solution is, where creativity exists to address the challenges and where they have most impact. This is why, in 2005, the C40 was founded, an organization of cities that address climate change. It started with 18 cities; now it's 91. Cities simply are the key to saving the planet.
Paris. Toulouse. Malmo. Copenhagen. Brussels. Berlin. For most people, they are lovely cities where you might happily take a holiday. But for the world's Jews, they are something else, too. They are place names of hate.
Behind Trump's promise to 'make America great again' lie many fallacies. The most important fallacy is that America's place in the world can be restored to the one it occupied after World War II, when Europe was still recovering from vast devastation and most developing countries were still European colonies. It can't be.
I hate the bloody highways. I hate hamburgers, I hate Greyhound buses. I'd have liked to have been in America during the Jazz Age, or the Golden Age of Hollywood.
It's said that most Americans under the age of 30 reflexively dislike movies made before 1970, especially those that were shot in black and white. If this is so, I suspect it's because such films portray an America that no longer exists.
Bundling finance, energy solutions, water solutions, traffic infrastructure, and all general urban infrastructures is too much of an ask for most developing cities.
Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.
All over the world there are a lot of distributors that have the equipment for 3D but they don't have the movies really. The only source of 3D movies is Hollywood. Only Hollywood sends the 3D movies. So it was an option.
You look at the violence that is taking place in the inner cities of Chicago. You take a look at Washington, D.C. We have an increase in murder within our cities. The biggest in 45 years. We have a divided nation because people like her and believe me, she has tremendous hate in her heart.
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies.
Nobody in the developing world is going to take, as an answer to their aspirations, the developed world's reply: 'Sorry, you can't; we've already used it all up.' To earn the right to look the developing world in the eye and start this conversation, we need a reassessment of how we live and what we want.
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