A Quote by Mark Steyn

Jesse Jackson's living depends on the maintenance of an African-American victim culture — © Mark Steyn
Jesse Jackson's living depends on the maintenance of an African-American victim culture
Question: Does it frost Jackson, Jesse Jackson, that someone like Obama, who fits the stereotype blacks once labeled as an Oreo -- a black on the outside, a white on the inside -- that an Oreo should be the beneficiary of the long civil rights struggle which Jesse Jackson spent his lifetime fighting for?
The key to empowerment is no more complicated than what Jesse Jackson said, 'We are somebody.' But the 'We are somebody' I would like to be in the larger sense: not just the urban African-American but homo sapiens in general - We are somebody.
Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.
When I used to work for Reverend Jesse Jackson he would say, "You've got to know the rules in order to break the rules." The 1988 campaign of Reverend Jesse Jackson made fundamental changes to the way Democrats do business.
Jesse Jackson's in trouble. They're going after this tax thing. Jesse said he will amend his taxes to show the money that he paid to his mistress. See, he has just one mistress. Jesse uses the standard mistress deduction. As opposed to Clinton, who had to itemize.
I'm in show business... I want to hang out with Janet Jackson, not Jesse Jackson.
One of the things that made the Black Muslim movement grow was its emphasis upon things African. This was the secret to the growth of the Black Muslim movement. African blood, African origin, African culture, African ties. And you'd be surprised - we discovered that deep within the subconscious of the black man in this country, he is still more African than he is American.
The difference between me and them is that I'll look at Jesse Jackson and I'll see four Jesse Jacksons, and they'll just see one, the clown ambulance chaser.
In American culture at large, but especially in African American culture, it's a sign of weakness to ask for help.
Jesse Jackson's wife was arrested in Puerto Rico while protesting the naval bombings there. Jesse said he was holding a meeting with four of his secretaries to decide what to do and that these meetings could run well into the night.
There's only one thing different about Barack Obama when it comes to being a Democratic presidential candidate. He's half African-American. Whether that will make any difference, I don't know. I haven't heard him have a strong crackdown on economic exploitation in the ghettos. Payday loans, predatory lending, asbestos, lead. What's keeping him from doing that? Is it because he wants to talk white? He doesn't want to appear like Jesse Jackson? We'll see all that play out in the next few months and if he gets elected afterwards.
Michael Jackson National African American Art Examiner Series
I'm sure you know by now, Jesse Jackson was overheard saying, and I'll put this more delicately, that he wanted to cut Barack Obama's testicles off. And Jesse has been on several news programs the last couple of days, explaining what he meant by those comments. Do you need to explain that?
I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.
Jesse Jackson also said he thought Barack Obama was talking down to black people by lecturing them on things like fatherhood and being a responsible husband. Jesse thought it was insulting, not only to him, but to his former mistress and their love child.
Michael Jackson fundamentally altered the terms of the debate about African American music.
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