A Quote by Mark Steyn

There is no conceivable amount of money worth telling the world that you were beaten up by Liza Minnelli. — © Mark Steyn
There is no conceivable amount of money worth telling the world that you were beaten up by Liza Minnelli.
I'm a bit down. Liza Minelli and David Gest, I don't know how it didn't work out. How can a man who likes other men and a woman who drinks not get along? The interesting thing is this - there is no conceivable amount of money worth telling the world that you were beaten up by Liza Minelli.
Arguably, the relationship between Liza Minnelli and Judy Garland is one of the great mother-daughter sagas of all time. Certainly, for certain people, and a lot of them, Liza is the bigger star. Liza is the more kind of viable legend, shall we say. Then there's the other camp, where Judy is the one.
It wasn't Liza Minnelli. It was the woman I loved.
I loved to dance and went to Studio 54 at least twice a week. But I always felt nervous around the people there. I was in awe of that whole Halston-Liza Minnelli crowd. To me, they were the real celebrities, and I was just a girl from Idaho.
I got arrested once on stage in Memphis for looking too much like Liza Minnelli.
I worked with a lot of leading ladies: Bebe Neuwirth, Anne Rankin, Bernadette Peters, Liza Minnelli. They're all phenomenal talents.
I love performing. I love the people. I sound like Liza Minnelli right now, don't I?
Andy Warhol was a good friend of mine. We used to go to the Studio 54 nightclub together with the likes of Liza Minnelli, and we'd dance through the night.
I remember, when I saw the movie of 'Cabaret,' I was amazed by Liza Minnelli: like, 'Wow, that kind of looks like someone I could be similar to.'
There is a reason that both have had the longevity in their careers that they have had. They have each done very different things throughout their careers and lived really interesting lives. There is a reason why they are up there still. After all, there is only one Barbra Streisand and one Liza Minnelli.
I honestly think that it was when the actual voices started to stand up for me. It was the iconic artists like Tony Bennett or Barbara Streisand or Liza Minnelli. When people like that take you under their wing and say in quotations, "He's the next one. He's got my stamp of approval," people trust them.
[On daughter Liza Minnelli] I think she decided to go into show business when she was an embryo, she kicked so much.
I was 17 or 18 when 'The Twist' came along, and the rest is history. Sometimes I regret it. I would have gotten more into acting. I would have been more of a legitimate performer onstage like Liza Minnelli. But I got so caught up in the dance thing that I never got into theater.
Talent? That's not talent. Talent is Liza Minnelli tap dancing and singing at the same time. What I just saw was devastation. Dying man on the cross. Salvation in B minor.
I feel myself trying to be charming, and then I realize I’m obviously trying to be charming, and then I try to be even more charming to make up for the fake charm, and then I’ve basically turned into Liza Minnelli: I’m dancing in tights and sequins, begging you to love me. There’s a bowler and jazz hands and lots of teeth.
Over-the-knee socks remind me of the 1920s, silent films, and the stars of the era who wore the rolled-down stockings. They sort of referenced that in 'Cabaret,' when Liza Minnelli was singing 'Mein Herr,' and I love the way she looks in that scene.
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