A Quote by Mark Strand

We are reading the story of our lives As though we were in it As though we had written it. — © Mark Strand
We are reading the story of our lives As though we were in it As though we had written it.
As though she had entered a fable, as though she were no more than words crawling along a dry page, or as though she were becoming that page itself, that surface on which her story would be written and across which there blew a hot and merciless wind, turning her body to papyrus, her skin to parchment, her soul to paper.
Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.
My dad's songs were really written to make certain people feel as though they had some kind of value. Because they were told from where they work and from the countries they had immigrated from that they did not.
[It] was written and sold. I knew it was a strong story because I cared about it and believed in it. I had no idea that it would have the effect it had on the audience. While most people ignored it, of course, and continue to live full and happy lives without reading it or anything else by me, there was still a surprisingly large group who responded to the story with some fervency.
Often, we melt into our ecstasies as though they were jams, as though we were sinking into syrupy bowls of gooseberries, of raspberries, of bilberries.
In the old times, women did not get their lives written, though I don't doubt many of them were much better worth writing than the men's.
Though fairy tales end after ten pages, our lives do not. We are multi-volume sets. In our lives, even though one episode amounts to a crash and burn, there is always another episode awaiting us and then another. There are always more opportunities to get it right, to fashion our lives in the ways we deserve to have them. Don't waste your time hating a failure. Failure is a greater teacher than success.
I want to write something so simply about love or about pain that even as you are reading you feel it and as you read you keep feeling it and though it be my story it will be common, though it be singular it will be known to you so that by the end you will think— no, you will realize— that it was all the while yourself arranging the words, that it was all the time words that you yourself, out of your heart had been saying.
There are things that happen and leave no discernible trace, are not spoken or written of, though it would be very wrong to say that subsequent events go on indifferently, all the same, as though such things had never been.
We should live our lives as though Christ were coming this afternoon.
Even though you're reading something, it's as though that person who wrote it is speaking to you. It's a form of conversation, really.
He who lives in our mind is near though he may actually be far away; but he who is not in our heart is far though he may really be nearby.
Dance as though no one is watching. Love as though you've never been hurt. Sing as though no one can hear you. Live as though heaven is on earth.
I think back on it now and even though Gwen and I were living through a tough time with the breakup, as creative partners, that took precedence in our lives. Even though we were going through this really emotional stuff, which obviously ended out coming out in the music, we managed to stay really close and be creative partners through all of that.
Though I had not been offered a truckload of projects post the release of 'Mayaanadhi,' the handful that came to me had brilliant female characters that were driving forces of the story.
Everything had kept getting less, they'd had to leave behind more and more baggage, or else it was taken from them, as though they were now too weak to carry all those things that are part of life, as though someone were trying to force them into old age by relieving them of all this.
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