A Quote by Mark Strong

I've played lots of villains in my time and I think the reason they've been so successful is that they're not two-dimensional. They're not black and white. That's the gig. — © Mark Strong
I've played lots of villains in my time and I think the reason they've been so successful is that they're not two-dimensional. They're not black and white. That's the gig.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
So much in TV today, you don't get to feel empathetic for the villain. The villains are the villains and the heroes are the heroes. It's very black and white.
I don't like two-dimensional characters who are obviously villains from the moment they walk on stage.
I was doing gigs to stay alive. I worked two or three jobs at a time, there were times when I stayed up for 36 hours straight. I slept in shopping mall parking lots. A stand-up gig paid $35; then I could eat for another few days until the next gig. Literally, I was performing to live.
One thing that's happened to me is I've been around a long time and I've played a lot of villains and so forth. I think it had to do with, well one thing is that I looked younger than I was for a long time. Now I think I'm suddenly starting to play people's father.
Namor has shades of grey but always ends up doing the right thing. I've played characters with an edge - played villains if not super villains - and he's an anti-hero.
I played Pierre, a white Russian aristocrat, and my co-lead was Denee Benton. Two black leads playing not black people - it was an important moment for the Broadway community to say diversity is possible and it's here.
Shakespeare villains were extraordinary. Macbeth, Iago, Richard III... They're so richly layered that a British actor would find it almost impossible to create a two-dimensional villain, if he's explored in his early years or continues to explore his Shakespearean heritage. You can almost not judge them, if they're played really well.
It's a two-dimensional gig being a singer, and you can get lost in your own tedium and repetition.
There is not a history of black intellectuals being allied with dominant forces to hold white people in social and cultural subordination for a few centuries. Second, the "our" of black folk has always been far more inclusive that the "our" of white folk. For instance, there would have hardly been a need for "black" churches if "white" churches had meant their "our" for everybody - and not just white folk. But "our" black churches have always been open to all who would join. The same with white society at every level.
It was interesting to have humanoid villains that were rooted in our three-dimensional reality... or four dimensional reality, I'm not sure which!
We could do something set in the 21st century, where I travel around to lots of different places and we talk to different ethnicities and lots of different racial and religious minorities, so it's not just the black-and-white America; it hasn't been that since the '90s.
My fascination has been the space between cloth and the body, and using a two-dimensional element to clothe a three-dimensional form.
In the real world there are many tones, from white at one extreme, through a large number of medium tones to black at the other extreme. To achieve a three-dimensional effect on paper you need just three - white, black and medium gray.
Unfortunately, as I tell my white friends, we, as black people, we're never going to be successful - not because of you white people but because of other black people. When you're black, you have to deal with so much crap in your life from other black people.
I've been on predominantly 'white' shows before, and I had also been on predominantly 'black' shows. I would complain that when I was on a white show, they would only hire me because there was a black character or they needed a black voice. But then I would be mad if they went and hired a white dude in my position.
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