A Quote by Mark Strong

You do a play, or you go on set for the first day of filming: if you don't have nerves, and you don't have any kind of adrenalin pushing you forward, then something is wrong.
The first day of shooting, you always want to turn around and go home and say, "What was I thinking?!," and put your head under a pillow and weep. I could maybe go five weeks, and then the nerves would set in about when the next job was going to happen.
I've tried watching shows before while I'm filming and it doesn't go good because I binge-watch all night and then I wake up with like one hour of sleep on my filming day.
We were filming the West Wing on the set one day in DC and Madeleine Albright comes by the set. I mean, when does that happen? You turn around and there's the former Secretary of State just sitting there. After the Clinton administration finished we were filming right outside the White House and John Podesta comes walking up while we're out there filming. Just strolling by the set - the former Chief of Staff! Things like that would happen all the time.
Life is too short to live that way. Learn to travel light. Every morning when you first get up, forgive the people that did you wrong the day before. Forgive your spouse for what they said. At the start of the day, let go of the disappointments, the set backs from yesterday. Start every morning fresh and new. God did not create you to carry around all that baggage. Let it go and move forward in the life of blessing He has in store for you!
There is always pressure in any movie set. If you think about it, there is something that you memorize and it is almost like public speaking every day, all day. There is a crew of people, there are monitors and if you mess up, you have to do it until you get it right and then sometimes, you would go blank.
To be on the set with the actors, with the location, every day changes; every day something can go wrong.
I'm not sure if it's because I'm older and I'm thinking about family more, but I'm trying to set up this thing where I can play in one city for a month, and then write music for a couple months, then play in another city for a month, write music for a month. Just so it's not these two schizophrenic, Jekyll and Hyde kind of things; you don't have to be this monster. You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could've done that in the 90s, I would have.
I like to play physical, and I'm a big guy, and I think sometimes - maybe sometimes I am pushing somebody, and I don't realize how hard I'm pushing them. And then they do it back, and it's kind of like, 'Jeez!'
After you've seen behind the facade of a stage set you can't take the play seriously any more. In other words, you can't go backwards and regain your ignorance, you have to move forward.
There's so many variables in comedy. Comedy is not this thing that's a performance like a play. It's really an interaction with every single person in the room. And if there's a weirdness in the room for any people, be it something the comedians did at the top of the set or be it the mixture of the people isn't right, something can go awry. So it's really great to see you proven wrong about someone.
At the end of the day, if I do a set at a festival and I only have an hour, which is kind of short for a DJ set, I know that I have to play at least six of my songs. Then the whole challenge is what do I weave around that. How do I stand out? Because at a festival there's probably fifteen songs every DJ's going to play every hour, for the whole day. That to me is more interesting, because I still feel like an outsider in this world.
I'm intimidated every day I go on the stage and everyday I go on a movie set. It's terrifying and I always want to reshoot the first day or the first week, I'm so terrified.
I'm intimidated every day I go on the stage and everyday I go on a movie set. It's terrifying and I always want to reshoot the first day or the first week, I'm so terrified
If you're writing, it means getting up and writing all day, and if you're filming, it's getting up and filming all day. I get up, go to my computer, write, turn it off, and go to bed. That is a Clarkson day.
I actually wrote the song first as "well, it's 9 o'clock on a Saturday." That bit. Then I said, You know what? It needs some kind of an introduction to kind of set the mood and set the flavor. So I just played this kind of cocktail lounge thing, the hustle and bustle of waitresses going by - that kind of thing.
I do school on set and then when I come home I go back to school and kind of balance it out. One day I'll be 18 and then I won't have to do it.
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