A Quote by Mark Strong
Every now and again, a script comes along that you just can't put down, and 'Deep State' is exactly that - a great example of the best kind of writing.
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Every time I do a movie, I'm reading the script, or if it's something I have coming up, I'm reading the script, and I just spend hours and hours and days and weeks and months going over the script and just writing a lot of different ideas down, finding a little dialogue or just coming up with ideas for scenes and moments and all that kind of stuff.
Writing is a deep-sea dive. You need hours just to get into it: down, down, down. If you're called back to the surface every couple of minutes by an email, you can't ever get back down. I have a great friend who became a Twitterer and he says he hasn't written anything for a year.
I figure I wrote 37 songs in 20 years, and that's not exactly a full-time job. It wasn't that I was writing and writing and writing and quit. Every now and then I wrote something, and every now and then I didn't. The second just outnumbered the first.
There's a million things that come through when you put songs together and it's kind of difficult to pinpoint exactly what triggers it on every occasion. It's just like somebody writing a screenplay or something like that.
Writing screenplays is very freeing from what you can do in comics in a lot of ways. You can change things around. I can take great delight in writing 40 pages, then just pressing delete and getting rid of it and not thinking about it ever again. Whereas in comics, if I had put that kind of effort into it, I couldn't go on.
There will never again be a day exactly like today. There will never again be a moment exactly like this moment. After my next birthday, I will never again be the age I am right now. After midnight tonight, today will be part of history. Someday I'll be dying and I'll wish I'd done all the things I want to do now. Someday I'll be dead and I won't be able to do anything. But today, right now, I'm alive. And yet I'm writing nonsense on the back of my literature book. But I'm alive. And yet I'm just sitting here. But I'm alive.
For no. 1, it's great writing, super writing. The second thing is that it's great chemistry with all the actors. We just all got along from the very start. Very get-go, we all got along. We just - it was just like we were all meant to be there together.
I have a suspicion, because if you look at the whole, all the [Star Wars ] movies, the backlog of every one of these movies, there's a lot of great stuff, but one might not be not as good with the writing in this or the acting in that or the directing in that, this has great actors, great directors, great script, and I really feel like we're gonna make the best one [movie with Young Han Solo].
We have gone a long way toward civilization and religious tolerance, and we have a good example in this country. Here the many Protestant denominations, the Catholic Church and the Greek Orthodox Church do not seek to destroy one another in physical violence just because they do not interpret every verse of the Bible in exactly the same way. Here we now have the freedom of all religions, and I hope that never again will we have a repetition of religious bigotry, as we have had in certain periods of our own history. There is no room for that kind of foolishness here.
If I'm not writing a poem to decompress from my experiences on a movie set, I usually just cook and it's like meditative. Especially since I'm at the stage now where I don't really use measuring cups. Kind of instinctual, I just kind of prepare my own dishes as I go along.
For example, when I was writing Leviathan, which was written both in New York and in Vermont - I think there were two summers in Vermont, in that house I wrote about in Winter Journal, that broken-down house... I was working in an out-building, a kind of shack, a tumble-down, broken-down mess of a place, and I had a green table. I just thought, "Well, is there a way to bring my life into the fiction I'm writing, will it make a difference?" And the fact is, it doesn't make any difference. It was a kind of experiment which couldn't fail.
I do think reading is the best practice for writing, along with writing all the time. I actually never liked writing on my own or in school until I'd had my blog for a while and realized I'd been writing every day for years.
Acting in particular is a fun job when you have a good script. I don't know about acting when you don't have a great script. I'm gonna say that's not a great job, it's kind of a dumb job. But when you have a good part in a good script, it's the best job, in a way.
Just as I am working hard to adjust to a new level, someone comes along and asks me to move up again. I'm not complaining about it; I just get on with trying to make sure I don't let anyone down. Training with England is just a different gravy again. Movement-wise, finishing-wise, you can learn such a lot from watching the very best in action.
Just play the moment, that's the fun of it. You just play the moment. It's great writing and very clever writing, I think it's witty. And I have those great clothes. You have a great, witty, intelligent script and you look like a million dollars, because we have a great costumer, and it's a pretty good place to begin.
One of the things when you write, well the way I write, is that you are writing your scenario and there are different roads that become available that the characters could go down. Screenwriters will have a habit of putting road blocks up against some of those roads because basically they can't afford to have their characters go down there because they think they are writing a movie or trying to sell a script or something like that. I have never put that kind of imposition on my characters. Wherever they go I follow.
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