A Quote by Mark Strong

You come out of drama school and do theatre and are interested in creative endeavour, then you drift into TV and movies and realise that artistic endeavour needs to balance with financial success. There's no point spending millions on a movie that doesn't make any money, because the people producing it won't make another one.
You are spending millions and millions of dollars of other peoples money when you make a movie. You have to at least approach it in a way where you can see how you can make that money back for the people who are investing.
It would be nice to make a movie that other people want to make, because every one of these movies, I basically have to find the only company in the world that's willing to make it, and it's always a big challenge. I end up spending a tremendous amount of energy and time trying to get money to make these movies and it's exhausting.
I think about the period of, like, the '70s and early '80s where nobody had money to make big movies and there was no CGI or anything like that and people had to get super creative. And then, you know, when you've got somebody who can paint you any picture on a computer and you get hundreds of millions of dollars to make a movie, its almost like the creativity diminishes somewhat.
When you make a movie, it's just a huge bureaucracy because movies cost so much money. Millions of people get involved, and pretty soon the creative idea gets tramped on and watered down or filtered through a huge system.
When [the saints] perform actions to God, then the soul says: 'Oh! that I could do what pleases God!' When they come to suffer any cross: 'Oh, that what God does might please me!' I labour to do what pleases God, and I labour that what God does shall please me: here is a Christian indeed, who shall endeavour both these. It is but one side of a Christian to endeavour to do what pleases God; you must as well endeavour to be pleased with what God does, and so you will come to be a complete Christian when you can do both, and that is the first thing in the excellence of this grace of contentment.
If you stand back and look at it in a global sense you'll find this [Irish people in music] was happening everywhere. Which is just another example of a wave of artistic endeavour that changes. It reaches a certain point, learn from what its done and move on. We seemed to have picked up on that.
Commercial television has lowered the general standard of TV in an endeavour to get millions and masses of people to watch the advertising. But that is not the problem of the advertiser.
A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again.
I tell everybody on the first day of making a movie that if anyone's here to further their career, they should leave. I'm gonna make the movie in such a way that we won't have a career when this movie comes out. Because the people who hold the moneybags are not going to want to share any of that money with us to make the next movie!
You don't watch home movie for the technique, you watch because it's reminiscing on good moments you spent with your friends. It reflects you. It belongs to you. So I was thinking people could, instead of spending their money to go and see a blockbuster, make their own movies. Collect the money and make a new one every week. I thought it would be nice to create a world that makes this construct possible.
I felt quite confident - when you come out of drama school you feel like you're on top of everything. I always tell people to go to drama school even if they've already done movies or whatever because the way you encounter content is so different.
Going to the theater, spending tons of money, people are losing money doing that. I'm really interested in my kinds of movies being seen as many people as possible on a TV.
I only want to do good projects. I want to make good decisions. If it's just a dumb movie, then no, I'd rather stay in school. But if it's a movie worth telling and that I think I would really benefit from, then I would like to do it. And that's one of the reasons I still live in Colorado. I love being with my family and going to school, and then when I come out to L.A., that is the time to be in the movies. People ask me the questions, I do the promotion work, then I get to go back home and live my life.
I was fortunate because my mum shared my love of film with me, so we would go to the movies twice, three times a week, and we would watch movies at home. As a teenager, instead of going out, we would have these huge movie nights in. But I almost failed drama at school. I hated it. It was all about the history of theatre.
Make movies you love because it's miserable. Every movie I've worked on at one point or another is exhausting, and you feel like you're making a bad movie.
An artistic endeavour comes into the world naked, unnamed, and vulnerable. Every creative effort requires the artist to wrest something from nothingness, a purposive cosmos from an apparently indifferent chaos.
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