A Quote by Mark Strong

If you think about Shakespeare, you remember Richard III and Macbeth before you remember Ferdinand, whose role is just to fall in love and be a bit of a wimp. I love the baddies. More important, though, is making the baddies somehow, weirdly, understood.
There's an honourable tradition of British actors who've gone to Hollywood playing baddies. Part of that is because we grow up with Richard III and Macbeth - we're not afraid of our villains.
If you break things down to goodies and baddies, the baddies are always a bit more alluring in fiction, and that's true from a narrative point of view. But I wanted to write a novel about real life, and real life is a bit more nuanced than that.
The idea of goodies and baddies has always fascinated me, and what people consider to be a goodie or a baddie, because I've never seen any of my characters as baddies.
I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.
Certainly in 'Stella' there weren't really any baddies. And if there were, they were quite ineffectual baddies. And the same is true of 'Gavin & Stacey.' I like people to be redeemed.
There's something about playing the baddies that people like. They're more fun, and people tend to remember them, particularly if you do them well.
There is of course a dark side to panto because there are always baddies and you can't have a baddie without a dark side. But most of the time the baddies become good.
When I was in junior high, I would carry around this huge volume of Shakespeare. I just like the romantic vibe. I write about it because I fall in and out of love quite a bit. I was always pulling on my mother’s heartstrings to get more love.
Audiences always love the baddies. Especially these ones that are so witty and charming and outrageously devious - everything you're not supposed to be. I think it speaks to the basic, primal nature in us.
I used to love 'The Lion, The Witch and the Wardrobe,' and I can still remember listening to them before I would fall asleep. I can remember the first ten minutes of the book perfectly, but whether I knew the rest of it was slightly more dicey.
We had a teacher in school who would organize dramatic shows. And she decided to put on a show about - I don't know whether you remember - 'Ferdinand the Bull', the comic script. However, she decided, you're going to sing Ferdinand, me, as a role.
In finding love, I think it's important to be patient. In being in a relationship, I think it's important to be honest, to communicate, to respect and trust, and to strive to give more than you take. As for heartbreak. . .there's no easy way out, but it's important to remember that even though everything feels awful now, it will get better, you will meet someone else, and in the meantime, you can continue to grow and learn and live life surrounded by people that love you.
I've played the villain before, but my baddies have always entertained.
Middle-aged women on telly is a bit of a hot topic - before, we were 27 to 37, and now we're 40 to 50. You do notice as you get older... you go past 35, and suddenly you're playing baddies.
The heart of most spiritual practices is simply this: Remember who you are. Remember what you love. Remember what is sacred. Remember what is true. Remember that you will die and that this day is a gift. Remember how you wish to live.
I have a tendency to think that when you portray baddies in movies, they come out more human than good guys.
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