A Quote by Mark Teixeira

I've always felt that I need to be somebody in the middle of the lineup that's going to drive in runs and come up with big hits. — © Mark Teixeira
I've always felt that I need to be somebody in the middle of the lineup that's going to drive in runs and come up with big hits.
Hits and runs are the numbers that really impress me. It means you're contributing a lot to your team by being in the lineup every single day, and scoring runs is how you win games.
The batsman does not always need to create big hits. He can hit a boundary, then pick up some singles and still gets nine runs. To avoid that, I need to plan in a way where he must look to hit wherever there is a fielder. That is what is called 'bowling to the field.'
If you're going to win games, you're going to have to come up with the big hits. That's the bottom line.
It gives us a lot of versatility and flexibility. Looking ahead, we've got a lot of good young players coming through the system. As they make their way, we'll have some tough decisions down the road. I'm just glad to have this one bat in our lineup that can drive in 100 runs, hit 25 to 30 home runs at least, and in our ballpark, maybe more.
I start with a comprehensive list of all the recent songs that have been big hits - and then I go down that list and see if I can come up with funny ideas for them. I can always come up with ideas, but not necessarily good ones!
Ability is the art of getting credit for all the home runs somebody else hits.
When I was growing up, I always felt there was an expectation that I would do one of two things: be great at something, or go crazy and become a total failure. There is no middle ground where I come from, and I am only now beginning to get a sense that there is a middle ground at all.
If somebody has a property in the middle of a 7,000 job factory, as an example, that's going to move into the town - but they need this one corner of this property, and it's going to provide 7,000 jobs in a community that's dying, of which we have many in this country, OK? I am for that. That's a big economic development
When I first set up my big band, I only had Gilson Lavis, the drummer from Squeeze, with me. He was the core element. Whenever a group hits the big time, they always get a new drummer because they really need that. You can make do with rubbish elsewhere.
You might be like, 'I want really big hits.' But when you get really big hits, and your label is making $150 million, they are people who are now interested in what you do. They are going to begin to tell you what to do, and so you become important. So your creative freedom - you're not going to have that again.
How are you gonna score if somebody doesn't drive in the runs?
There will always be economic pressure to make hits, identify hits, and then exploit hits. And you're going to exploit them with as many episodes as you probably can.
I told my wife, 'Look, I'm going to ask y'all to sacrifice. I need to go to Portland. I need to lock in.' At that time, I felt like my career... was on the line. So I told her, 'This is what I need to do. I'm going to be without y'all for a while. Y'all can come out and visit. But this is what I need to do.' She understood.
I think you always need some luck when you score big runs.
Having a relentless lineup full of professional hitters works on so many levels. It works in terms of pure baseball reasons: if you get on base, you're going to score runs.
If you give a guy 1,000 opportunities and he hits 30 home runs or 500 opportunities and he hits 30 home runs, it's not the same thing. I know. This is what I do for a living, and I know who is better at what I do.
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