A Quote by Mark Teixeira
I think everybody out there on the American team is out of their element. That's not an excuse. That's the way it is. It's early in the spring. A lot of guys are not as (locked-in) as they could be.
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Everybody burns out in this world; amateur, pro, it doesn't matter, they all burn out, they all get hurt, the OK guys and the not-OK guys both. That's why everybody takes out a little insurance. I've got some too, here at the bottom of the heap. That way, you manage to survive if you burn out. If you're all by yourself and don't belong anywhere, you go down once, and you're out. Finished.
Everybody on my team - I couldn't do their jobs. I could not. I really mean that. So I figured out early on that the way you're successful is you hire really successful people.
The way I figure is we win as a team and we lose as a team, but I've got to figure out some way where I can have a better April and help the team get off to a better start. I normally heat up when it gets warm, but it would be nice to come out of April and everybody is chasing you.
When I was young, a lot of the guys could sell themselves to me on the way to the ring with the way they acted and their mannerisms. Guys like Shawn Michaels, who I loved growing up. They were just loud. They didn't even need to say a word because they came out and had this crazy ring gear on.
I know a lot of guys say that when they are younger - 'I'm gonna get it, get my money, and get out' - and then end up wrestling until they're 50. But that could end up being me, too. I can tell you I want to get out early and end up eating my own words. All of a sudden, I'm 50, and I'm still walking out there.
I think its one of the great principles. The element of surprise, I mean, you could take a force that's not nearly as strong and with the element of surprise you could wipe out a much more powerful force.
I put out 'Rhythm & Bricks,' which showed my versatility, and I had a lot of melodic songs on there, then I had a lot of street songs on there, and I just wanted to know what everybody wanted from me. I did put that out so that everybody could get a feel, so 'Cut It' just happened to come out of there.
It's a little different being the older guys on the team. We are going to help get the young guys get comfortable. We'll have to get them used to what they will face out there this season. There are some good guys out there. They know what they have to do to win.
There are a lot of champions out there, a lot of great guys, but I think that the way I compete and my fighting style makes me perfect for Reebok.
Barry Bonds was like Joe Namath or Muhammad Ali. He could make a statement and go out and back it up. Not a lot of guys can do that. In fact, managers usually cringe when guys make statements about what they're going to do. In Barry's case, I liked it. I think he did it on purpose to motivate himself. In a lot of ways, it's easy for Barry. I think he needs a little controversy around him.
I’m familiar with a lot of guys, hang out with those guys. A couple of my teammates actually went to Florida, so I’m familiar with a lot of those guys. It's going to be fun walking out with a victory and rubbing it in their faces.
And I think that the ultimate way you and I get lucky is if you have some success early in life, you get to find out early it doesn't mean anything. Which means you get to start early the work of figuring out what does mean something -- David Foster Wallace
I think a good quarterback or a good linebacker, a good safety, even though you have a lot of bodies moving out there, it slows down for them and they can really see it. Then there are other guys that it's a lot of guys moving and they don't see anything. It's like being at a busy intersection, just cars going everywhere. The guys that can really sort it out, they see the game at a slower pace and can really sort out and decipher all that movement, which is hard. But experience certainly helps that, yes.
I think, on any given day, somebody could help out a homeless person and cuss out somebody that cut them off in traffic, and I think that everybody has that inside them: it's just how you live that balance - so I think everybody is 'Wretched and Divine.'
If you're with a good band and everybody's from the old school, it's different. When you're in your element, you're in your element and things just come. You don't have to drag them out or force them out. They just happen.
See, the 'On the Road' that came out in 1957 was censored. A lot of the honesty of it, the bitter honesty, is in the original scroll version that came out in 2007 on the 50-year anniversary. Back then, there was so much post-Second World War fear that was imposed on everybody - 'You must live life this way' - and these guys were bored.
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