A Quote by Mark Twain

My memory was never loaded with anything but blank cartridges. — © Mark Twain
My memory was never loaded with anything but blank cartridges.
That which distinguishes this day from all others is that then both orators and artillerymen shoot blank cartridges.
Blank cartridges should never be used against a mob, nor should a volley be fired over the heads of the mob even if there is little danger of hurting persons in the rear. Such things will be regarded as an admission of weakness, or an attempt to bluff, and may do more harm than good.
Migration gives a blank cheque to put anything you don't feel like addressing in the memory hold. No neighbours can go against the monster narrative of your family.
I've never really collected anything other than old Atari cartridges. I only had, like, 12 Atari games as a kid, so at some point in my 20s I decided I was going to own all of them.
Memory is strange. Scientifically, it is not a mechanical means of repeating something. I can think a thousand times about when I broke my leg at the age of ten, but it is never the same thing which comes to mind when I think about it. My memory of this event has never been, in reality, anything except the memory of my last memory of that event. This is why I use the image of a palimpsest - something written over something partially erased - that is what memory is for me. It's not a film you play back in exactly the same way. It's like theater, with characters who appear from time to time.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
I'll never forget anything about Middle Earth. That's part of my memory now so I won't miss anything.
I didn't know anything about movies or movie stars or the Academy or anything. I was just a blank sheet of paper. I was totally ignorant of all that stuff. I never went to the movies, didn't know anything about the movies.
I have a horror of the blank page. I simply cannot write on a blank page or screen. Because once I do, I start to fix it, and I never get past the first sentence.
Being a writer is a very peculiar sort of a job: it's always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins.
Just dash something down if you see a blank canvas staring at you with a certain imbecility. You do not know how paralyzing it is, that staring of a blank canvas which says to the painter: you don't know anything.
Memory weaves and traps us at the same time according to a scheme in which we do not participate: we should never speak of our memory, for it is anything but ours; it works on its own terms, it assists us while deceiving us or perhaps deceives up to assist us.
Space is a canvas, as large and blank as any ever created, for it is indeed creation itself, and it calls to us to paint upon it with our own dreams and imaginations anything we wish, anything we want, and anything we can imagine.
We don't all see the same way at all. Even if I'm sitting looking at you, there is always the memory of you as well. And a memory is now. So someone who's never met you before is seeing a different person. That's bound to be the case. We all see something different. I assume most people don't look very hard at anything.
Nothing is more American than stuffing your face with loaded potato skins while drinking loaded mudslides.
I never commit to memory anything that can easily be looked up in a book
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