A Quote by Mark Twain

In literature imitations do not imitate. — © Mark Twain
In literature imitations do not imitate.
He who resolves never to ransack any mind but his own, will be soon reduced, from mere barrenness, to the poorest of all imitations; he will be obliged to imitate himself, and to repeat what he has before often repeated.
Jordan Peele is famous, in part, for imitations - of rappers and dingbats and the 44th president of the United States. But he would be impossible to imitate. He isn't ribald. He's droll. Sometimes he's not even that. Sometimes he's quiet. Sometimes he's sitting across from you expecting you to hold up your end of a conversation.
Although the theater is not life, it is composed of fragments or imitations of life, and people on both sides of the footlight have to unite to make the fragments whole and the imitations genuine.
Life should imitate romance literature far more often.
The characteristic of the first sort of religion is imitation. It insists on imitation: imitate Buddha, imitate Christ, imitate Mahavir, but imitate. Imitate somebody. Don`t be yourself, be somebody else. And if you are very stubborn you can force yourself to be somebody else. You will never be somebody else. Deep down you cannot be. You will remain yourself, but you can force so much that you almost start looking like somebody else.
There are many women who write as they think they should write - to imitate men and make a place for themselves in literature.
We as women are trained to see ourselves as cheap imitations of fashion photographs, rather than seeing fashion photographs as cheap imitations of women
It does not follow because many books are written by persons born in America that there exists an American literature. Books which imitate or represent the thoughts and life of Europe do not constitute an American literature. Before such can exist, an original idea must animate this nation and fresh currents of life must call into life fresh thoughts along the shore.
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
Schools teach you to imitate. If you don't imitate what the teacher wants you get a bad grade. Here, in college, it was more sophisticated, of course; you were supposed to imitate the teacher in such a way as to convince the teacher you were not imitating, but taking the essence of the instruction and going ahead with it on your own. That got you A's. Originality on the other hand could get you anything -- from A to F. The whole grading system cautioned against it.
Whoever wants to set a good example must add a grain of foolishness to his virtue: then others can imitate and yet at the same time surpass the one they imitate-which human beings love to do.
As actors you have this trait to imitate very easily. I don't want to imitate anything or limit myself of finding this creature, this woman because I'm looking at magazines and I'm reading comics, and I'm asking people that are avid readers of The Guardians.
Literature cannot develop between the categories "permitted"—"not permitted"—"this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read. -Letter to the Fourth National Congress of Soviet Writers
If we wish to imitate the physical sciences, we must not imitate them in their contemporary, most developed form; we must imitate them in their historical youth, when their state of development was comparable to our own at the present time. Otherwise we should behave like boys who try to copy the imposing manners of full-grown men without understanding their raison d' être, also without seeing that in development one cannot jump over intermediate and preliminary phases.
Shatrughan Sinha's career lasted because people could imitate his dialogues. You cannot be a mass superstar if people don't imitate your dialogues.
Of the bodies in the cosmos, some imitate mind and move in orbits; some imitate soul and move in a straight line, fire and air upward, earth and water downward.
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