A Quote by Mark Twain

... an experienced, industrious, ambitious, and often quite often picturesque liar. — © Mark Twain
... an experienced, industrious, ambitious, and often quite often picturesque liar.
Quite often, I have a compelling sense of how a role should be played. And I'm proved - equally as often - quite wrong.
My heroes and heroines are often unlikely people who are dragged into situations without meaning to become involved, or people with a past that has never quite left them. They are often isolated, introspective people, often confrontational or anarchic in some way, often damaged or secretly unhappy or incomplete.
Pioneers may be picturesque figures, but they are often rather lonely ones.
Quite often - a lot of the work I had done had been extensively with women. Most especially in the theater, but also quite often in the movies. That has its own delights, and maybe pitfalls too.
They say that it is the practiced liar who can deceive. But so often the practiced and chronic liar deceives only himself; it is the man who all his life has been selfconvicted of veracity whose lies find quickest credence.
Often you find actors have big hearts; they're quite emotional people. Talking to actors who date other actors, and talking to people who deal with other actors, they often get emotionally caught up in lots of different things. They often wear their hearts on their sleeves. They feel things quite a lot - often to the nth degree, which I can imagine could make it quite difficult to date some of us. I think it's about having an emotional availability that you can kind of draw on. But I'm also searching for that. I'll be searching for the answer to that question for the rest of my life.
To the real artist in humanity, what are called bad manners are often the most picturesque and significant of all.
It is well known to all experienced minds that our firmest convictions are often dependent on subtle impressions for which words are quite too coarse a medium.
I used to get recognized quite often as being a 'Soul Train' dancer. Quite often, which was great at times but sometimes was not so great. Especially, back at college, it was not so great. It was pretty tough.
In America, quite often, for people from a certain economic position two choices become very evident as to their adult life. One is crime, one is the military. And it is quite often that some people choose one or the other, their options not being as many as someone from a higher income.
Through American history, we have had populist movements that often, often, often have this ugly racial element. But, often, there are warning signs of some deeper social and economic problem.
If you put a much older woman in 'Doctor Who,' they can identify with it. I think it's quite an interesting concept, and if you remember things like 'Grimm's Fairytales,' the older woman is often the villainess, often the terrifying figure - why I do not know, but often she is. I think it's an idea to be exploited.
I am quite sure now that often, very often, in matters concerning religion and politics a man's reasoning powers are not above the monkey's.
Our music may sound big emotionally, but that's more to do with the playing, the level of musicianship and the full-on energy. Often, the lyrics are often quite small and focused.
Projections are put together by people who have an interest in a particular outcome, have a subconscious bias, and its apparent precision makes it fallacious. They remind me of Mark Twain's saying, 'A mine is a hole in the ground owned by a liar.' Projections in America are often a lie, although not an intentional one, but the worst kind because the forecaster often believes them himself.
Larger game teams are often a bit more experienced at working with writers, which is often a huge relief. However, it also means that there are more people wanting to wander around the narrative kitchen telling you how you should be making your story pies.
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