A Quote by Mark Twain

No one can write perfect English and keep it up through a stretch of ten chapters. It has never been done. — © Mark Twain
No one can write perfect English and keep it up through a stretch of ten chapters. It has never been done.
I think Ive done the best I could have done. But I keep wanting to play better, go further. There are so many sounds I still want to make, so many things I havent yet done. When I was younger I thought maybe Id reached that peak. But Im 86 now, and if I make it through to next month, Ill be 87. And now I know it can never be perfect, it can never be exactly what it should be, so you got to keep going further, getting better.
You know what's crazy about Yao? He speaks perfect English. A lot of people don't know that. Perfect English. When I was over there, I called him. He's like, 'Whassup big fella?' Perfect English!
Sometimes it's a struggle to keep up with my own photos, where the lighting is perfect, the makeup is done, and the images have been retouched. That's not what I see when I look in the mirror!
What we did ten years ago with the Playstation was a phenomenal success story for the company. That product had a ten year life cycle, which has never been done in this industry.
Everest silences you...when you come down, nothing seems worth saying, nothing at all. You find the nothingness wrapping you up, like a sound. Non-being. You can't keep it up, of course. the world rushes in soon enough. What shuts you up is, I think, the sight you've had of perfection: why speak if you can't manage perfect thoughts, perfect sentences? It feels like a betrayal of what you've been through. But it fades; you accept that certain compromises, closures, are required if you're to continue.
To write or even speak English is not a science but an art. There are no reliable words.... Whoever writes English is involved in a struggle that never lets up even for a sentence.
My advice would be to write -never to stop writing, to keep it up all the time, to be painstaking about it, to write until you begin to write.
For ten years I had been protected, wrapped up in something like a blanket that had been stitched together from all kinds of different things. But people never notice that warmth until after they've emerged. You don't even notice that you've been inside until it's too late for you ever to go back-- that's how perfect the temperature of that blanket is.
I keep my skin clean and moisturised. While shooting, my skin has to put up with severe make up and lights for hours at a stretch. So I am obsessive about taking my make-up off as soon as I am done.
In an ideal world, the perfect biographical subject would have been the star of his penmanship class at grade school - and would thereafter write an English that positively sings.
if you don't keep and guard and mature your force, and above all, have time and quiet to perfect your work, you will be writing things not much better than you did five years ago. ... you must write to the human heart, the great consciousness that all humanity goes to make up. Otherwise what might be strength in a writer is only crudeness, and what might be insight is only observation; sentimemnt falls to sentimentality - you can write about life, but never write life itself.
I want to write books that keep people up at night, where they cry through the first forty pages and keep reading anyway.
The idea of doing something that I've never done before, that presents a new challenge, that forces me to stretch in some way - that's kind of a perfect project for me, and especially something that has greater social, conversational ramifications. I mean what more could you want?
I've never been interested in diarising my life through song. So much stuff has been done before. So many people have brilliantly articulated the pain of heartbreak or the joy of love or whatever. Those elements exist in our music, but I guess I strive to write about unconventional things instead.
Dalai Lama has made new opportunities for women that they never had in Tibet, introduced science into the monks' curriculum and had Tibetan students in exile take their classes in English after the age of ten so that they will know more about the outside world. But one of the great things he's done is to bring all the Tibetan groups together in exile, as perhaps they couldn't have been when they weren't in exile and they weren't under such pressure.
A lot of the demos I write are all in English, so releasing music in English isn't translating to English, it's just keeping them in English.
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