A Quote by Mark Twain
If I were required to guess off-hand, and without collusion with higher minds, what is the bottom cause of the amazing material and intellectual advancement of the last fifty years, I should guess that it was the modern-born and previously non-existent disposition on the part of men to believe that a new idea can have value.
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I guess, from the beginning, Thurston and Kim were the dominant singers in the band, and although I was singing in bands previously, I guess I mainly deferred to them a lot in terms of who was singing the bulk of the songs.
Good culture is born of a good disposition; and since the cause is more to be praised than the effect, I will rather praise a good disposition without culture, than good culture without the disposition.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
I guess that’s all forever is...Just one long trail of nows. And I guess all you can do is try and live one now at a time without getting too worked up about the last now or the next now.
GOOD AS NEW was born out of the idea of writing a play where the stakes were high and the collisions were of a verbal nature. Also I wanted to write a play where people were smarter than I was, and more alive than I feel normally. I became interested in the idea of characters who would surprise me. I guess one could argue that nothing comes out of you that wasn't within you to begin with, but maybe there are ways to trick yourself into becoming more an observer or an advocate for the characters.
I believe that the idea of the totality, the finality of the master-plan, is misguided. One should advocate a gradual transformation of public space, a metamorphic process, without relying on a hypothetical time in the future when everything will be perfect. The mistake of planners and architects is to believe that fifty years from now Alexanderplatz will be perfected. -p.197
In Buddhism, both learning and practice are extremely important, and they must go hand in hand. Without knowledge, just to rely on faith, faith, and more faith is good but not sufficient. So the intellectual part must definitely be present. At the same time, strictly intellectual development without faith and practice, is also of no use. It is necessary to combine knowledge born from study with sincere practice in our daily lives. These two must go together.
It has been a fortunate fact in the modern history of physical science that the scientist constructing a new theoretical system has nearly always found that the mathematics. . . required. . . had already been worked out by pure mathematicians for their own amusement. . . . The moral for statesmen would seem to be that, for proper scientific "planning", pure mathematics should be endowed fifty years ahead of scientists.
I started modeling when I was about 2 or 3 years old; I started with Baby Guess, and I did Guess Kids, and that was the extent of my modeling career as a kid. I took all of my elementary, middle and high school years off to focus on school and sports.
None of us constitutes a material whole, identical for everyone, which a person has only to go look up as though we were a book of specifications or a last testament; our social personality is a creation of the minds of others. Even the very simple act that we call "seeing a person we know" is in part an intellectual one. We fill the physical appearance of the individual we see with all the notions we have about him, and of the total picture that we form for ourselves, these notions certainly occupy the greater part.
I don't like to guess. Just react. Some guys are guess hitters. I just could never do it. If you guess and guess wrong, you have no shot of hitting anything else.
People were destined for one another; that's the romantic idea that young girls have, and I guess part of me still believes it.
I guess that all figures into my approach because once I start hearing the imagination land stuff (that's my new phrase now I guess) I tend to tune out or start laughing at it like, "Haha, you guys really believe there is a heaven."
Nothing has tended more to retard the advancement of science than the disposition in vulgar minds to vilify what they cannot comprehend.
I guess I'm entertaining; I guess I'm interesting. I guess the things that I say sell papers. I guess they sell magazines. I don't know.
I was a terrible actor. But John Hughes liked me, and he encouraged me. I made him laugh, I guess is the bottom line, and then he gave me that part in Ferris Bueller's Day Off as the flower man. It's just a nothing part in one sense, but it's such an iconic movie that people will ask me from time to time, "Are you in Ferris Bueller's Day Off?" "Yeah."
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