A Quote by Mark Twain

A sincere compliment is always grateful to a lady, so long as you don't try to knock her down with it. — © Mark Twain
A sincere compliment is always grateful to a lady, so long as you don't try to knock her down with it.
Words change over time. 'Condescending,' for instance, was once a good thing to be. It meant that a person was willing to interact politely with people of lower social ranks. In Jane Austen's world, a lady praised for her condescension was receiving a sincere compliment.
Truth is a demure lady, much too ladylike to knock you on your head and drag you to her cave. She is there, but people must want her, and seek her out.
'Pretty Lady' is the conversation piece where you just need to compliment your lady. If you are in a club setting, and you just been eyeing a beautiful woman, this song came from me trying to compliment women and them turning their face up at me.
God is a sort of burglar. As a young man you knock him down; as an old man you try to conciliate him, because he may knock you down.
Lady Gaga is not saying anything new, she's just quoting something that's already been said, and staging it. It rarely seems sincere. That's why I always try to say something authentic.
No man ever got very high by pulling other people down. The intelligent merchant does not knock his competitors. The sensible worker does not knock those who work with him. Don't knock your friends. Don't knock your enemies. Don't knock yourself.
A good Dianetic auditor can take a broken-down, sorrow-drenched lady of thirty-eight and knock out her past periods of physical and mental pain and have on his hands somebody who appears to be twenty-five-and a bright, cheerful twenty-five at that.
Someone is always going to try to knock you down and take your place. It is up to you to fight for what you want.
In almost every musical ever written, there's a place that's usually about the third song of the evening - sometimes it's the second, sometimes it's the fourth, but it's quite early - and the leading lady usually sits down on something; sometimes it's a tree stump in Brigadoon, sometimes it's under the pillars of Covent Garden in My Fair Lady, or it's a trash can in Little Shop of Horrors... but the leading lady sits down on something and sings about what she wants in life. And the audience falls in love with her and then roots for her to get it for the rest of the night.
Lady Gaga is not a diva, and she's not crazy. She's just an incredibly nice, down-to-earth person who really cares about art and creativity. It's pretty amazing to be able to work with her. I'm pretty grateful for that.
Eloise is obsessed with Lady Whistledown, and she is a worthy opponent to try and find her. But, I reckon, more than half of the obsession is the fact that for her, Lady Whistledown is an expression of the potential for freedom that Eloise talks about so avidly.
It was stupid behaviour. And you take a look at the explosion, and it knocks you down and you wake up every morning and you're scared and you're depressed and sad, and you kind of got to let that knock you down and knock you down.
People in general want to build somebody up and then try to knock them down. They always root for the underdog.
Very gratefully, with grateful appreciation, with sincere appreciative gratitude, in appreciatively grateful sincerity of regret, he declined.
Everybody loves the underdog, and then they take an underdog and make him a hero and they hate him. But as long as they can knock you back down, it seems like if you're an underdog again, and things do surface, and they think this is real, 'these guys' intentions are genuine and sincere,' it seems like they will embrace you again.
I toured with Lady Gaga, and her choreographer is incredibly talented and develops some crazy routines. Lady Gaga is very involved in the dancing, too, and she always wants to have creative input. I had an incredible time with her!
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