A Quote by Mark Twain

The signs of excessive indulgence in this destructive pastime are easily detectable. They are these: A disposition to eat, to drink, to smoke, to meet together convivially, to laugh, to joke, and tell indelicate stories— and mainly, a yearning to paint pictures.
I use the cigar for timing purposes. If I tell a joke, I smoke as long as they laugh and when they stop laughing I take the cigar out of my mouth and start my next joke.
So when you tell a joke, you want to make someone laugh, or if you tell a story about someone who had a heart attack, it may be because you want the listener to exercise. Stories are tools to create social cohesion and to get humans to strategize together.
I tell you a joke to have you listen to me, and then maybe I will tell you another joke that we can laugh together and feel equal. And then I will tell you a story hopefully that will make you cry. So I think that's the way that I approach the columns, as a surviving tool in a way.
I've always wanted to create drama in my pictures, which is why I paint people. It's people who have brought drama to pictures from the beginning. The simplest human gestures tell stories.
The most reserved of men, that will not exchange two syllables together in an English coffee-house, should they meet at Ispahan, would drink sherbet and eat a mess of rice together.
The technology keeps moving forward, which makes it easier for the artists to tell their stories and paint the pictures they want.
Hell, if I didn't drink drink or smoke, I'd win twenty games every year. It's easy when you don't drink or smoke or horse around.
Excessive indulgence to others, especially to children is in fact only self-indulgence under an alias.
I don't smoke, drink. I exercise, drink lots of water, eat well, don't sun. Me cuido. There's a lot of things that I want to do.
I don't smoke, drink. I exercise, drink lots of water, eat well, don't sun. Me cuido.There's a lot of things that I want to do.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
What I usually do is tell funny stories from the road, many of which are, of course, unprintable. But I don't actually have a joke. I don't tell jokes much. I tell little stories.
Studies show that the more often families eat together, the less likely kids are to smoke, drink, do drugs, get depressed, develop eating disorders and consider suicide, and the more likely they are to do well in school, delay having sex, eat their vegetables, learn big words and know which fork to use.
I don't know how to tell a joke. I never tell jokes. I can tell stories that happened to me... anecdotes. But never a joke.
After all, what is reading but a vice, like drink or venery or any other form of excessive self-indulgence? One reads to tickle and amuse one's mind; one reads, above all, to prevent oneself thinking.
The stories we can tell are those that happen to us; we meet, work, live, laugh, love, demonstrate, strive in community.
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