A Quote by Mark Twain
I believe I have had the most trouble with a portrait which I painted in installments - the head on one canvas and the bust on another.
Related Quotes
every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.
A photographic portrait needs more collaboration between sitter and artist than a painted portrait.
Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.
I think the best way to view the Gospels is to view them as a magnificent portrait being painted by Jewish artists to try to capture the essence of a God experience that they believe they had with Jesus of Nazareth.
What the worm was to the corpse, his sins would be to the painted image on the canvas. They would mar its beauty, and eat away its grace. they would defile it, and make it shameful. And yet the thing would still live on. It would be always alive. (Dorian Gray regarding his portrait)
I don't believe in trouble. Because I think that trouble is sometimes good, sometimes bad. I've been known to be called trouble, which I think is quite a compliment. But I suppose, thinking about it, that my best and worst trouble has always had something to do with a man.
To anyone who has served in Washington, there is something oddly familiar about [having your portrait painted]. First, you're painted into a corner, then you're hung out to dry and, finally, you're framed.
I would paint a portrait which would bring the tears, had I canvas for it, and the scene should be -- solitude, and the figures -- solitude -- and the lights and shades, each a solitude.
At a certain moment the canvas began to appear to one American painter after another as an arena in which to act-rather than as a space in which to reproduce, re-design, analyze or express an object, actual or imagined. What was to go on the canvas was not a picture but an event.
This rationale, which justified the mixed constitution of Great Britain, might have made some sense in 1776, but by 1787 most American thinkers had come to believe that all parts of their balanced governments represented in one way or another the sovereign people. They had left the Aristotelian idea of mixed estates - monarchy, aristocracy, and democracy - way behind. [John] Adams had not, and his stubbornness on this point caused him no end of trouble.
I was always interested in language. I thought, why not? If a painting, by the normal definition of the term, is paint on canvas, why can't it be painted words on canvas?
Chase used to say, 'When you're looking at your canvas and worrying about it, try to think of your canvas as the reality and the model as the painted thing.'
I sort of feel that the role of a portrait in society is to represent the sitters, we see paintings of Shakespeare and we believe that it is what he looked like, well maybe a little older, fatter and with a higher hairline. I guess it would be cool if the portraits that were painted really did look like the sitter or expressed some sort of emotion that gave the viewers in the future a sense of the sitter's pathos at the time it was painted.
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
Paint records the most delicate gesture and the most tense. It tells whether the painter sat or stood or crouched in front of the canvas. Paint is a cast made of the painter's movements, a portrait of the painter's body and thoughts.
I believe that photography can only reproduce the surface of things. The same applies to a portrait. I take photographs of people the same way I would take photographs of a plaster bust.
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