A Quote by Mark Twain

...there isn't often anything in Wagner opera that one would call by such a violent name as acting. — © Mark Twain
...there isn't often anything in Wagner opera that one would call by such a violent name as acting.
What opera isn't violent? Two things happen, violence and love. And other than that, name something else. You can't
What opera isn't violent? Two things happen, violence and love. And other than that, name something else. You can't.
You cannot act a color. Do not tell me I'm acting black, because I'm not. I'm acting whatever you want to call it - urban. I don't even have a name for it. I just call it 'me.'
Let us recognize that we can no longer tolerate violent oppression of women in the name of religion and culture any more than we would tolerate violent oppression espoused by any other bully in the name of a twisted rationale.
As any opera fan knows, lawyers and judges do not fare well in most operas. Just consider the productions of 'Andrea Chenier,' 'Aida, Norma,' 'Billy Budd,' 'Peter Grimes,' 'The Crucible,' 'Lost in the Stars,' 'The Marriage of Figaro,' 'The Makropulos Case' and Wagner's 'Ring' cycle. Around 1810, the theme of justice emerged in opera.
You are frightened of everything. You call it caution. You call it common sense. You call it practicality. You call it playing the odds, but that's only because you're afraid to call it by its real name, and its real name is fear.
Satyagraha is an opera which I wrote for the Netherlands Opera, so it uses an orchestra of around fifty, a chorus of forty, and there are about seven soloists. The opera ... Satyagraha means truthful, so it was a name [Mahatma] Gandhi used to describe his civil disobedience movement.
I remember once saying in a television interview that the only things I hadn't been in were the opera and the ballet. Two days later, I got a call from Lord Harewood, of the English National Opera, saying "Would you like to be in 'Ariadne auf Naxos?'"
One can't judge Wagner's opera Lohengrin after a first hearing, and I certainly don't intend to hear it a second time.
My wife was an opera singer, you know. She bellowed her way through Wagner as a Valkyrie. I married her and made her give up the theatre, to my eternal cost. She was to go on acting for myself alone. A performance at his own expense, lasting for more than twenty years, tends to wear out your spectator.
The Photograph is violent: not because it shows violent tings, but because on each occasion (i)it fills the sight by force(i), and because in it nothing can be refused or transformed (that we can sometimes call it mild does not contradict its violence: many say that sugar is mild, but to me sugar is violent, and I call it so).
When you call yourself an Indian or a Muslim or a Christian or a European or anything else, you are being violent. Do you see why it is violent? Because you are separating yourself from the rest of mankind. When you separate yourself by belief, by nationality, by tradition, it breeds violence.
My stepfather was quite into opera, but he'd play it when he was in a bad mood, so you'd hear this boom through the floor, Wagner, and you'd feel nervous.
I don't have a pen name, so I'm thinking of getting a doctor's name. What would you call that, a stethoscope name?
I was an acting opera singer, and that's one of the reasons I left opera.
I name (Honus) Wagner first on my list, not only because he was a great batting champion and base-runner, and also baseball's foremost shortstop, but because Honus (Wagner) could have been first at any other position, with the possible exception of pitcher. In all my career, I never saw such a versatile player.
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