A Quote by Mark Twain

That is an editor. He is trying to think of a word. He props his feet on a chair, which is the editor's way; then he can think better. I do not care much for this one; his ears are not alike; still, editor suggests the sound of Edward, and he will do. I could make him better if I had a model, but I made this one from memory. But is no particular matter; they all look alike, anyway. They are conceited and troublesome, and don't pay enough.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
The editor sat in his sanctum, his countenance furrowed with care, His mind at the bottom of business, his feet at the top of a chair, His chair-arm an elbow supporting, his right hand upholding his head, His eyes on his dusty old table, with different documents spread.
Being an editor doesn't make you a better writer - or vice versa. The worst thing any editor can do is be in competition with his writer.
An editor who is a mentor, advisor, and psychiatrist. Don't kid yourself-a good editor will make your book better.
The writer who can't do his job looks to his editor to do it for him, though he won't dream of sharing his royalties with that editor.
But for me, being an editor I've been an editor of all kinds of books being an editor of poetry has been the way in which I could give a crucial part of my time to what I love most.
1968 in Paris renewed my options. There was suddenly a desire of inventing new things, and I while I was working as an editor, the assistant editor thought I had a gift, and when he shot his own film, he hired me as his assistant camera, and I trained myself to do the light for him.
I don't have an editor on Twitter. I have an editor in the paper, and so I tend to be less precise in 140 characters and sometimes I leave people confused as to my meaning. And then I make the mistake of engaging and trying to explain it, which just leads you down a rabbit hole.
You know, 'Professor Obama' has been a label applied to him by Republicans and Democrats alike. He's a very smart guy. But I think he'd be, you know, better served not to spend so much time trying to impress us with his particular position on an issue and understand that there are things upon which we simply have a disagreement.
I was interested in creating things that I could be proud of and so, you know, I was interested in being an editor of a magazine, things that I could be proud of, and so, you know, I was interested in being an editor of a magazine, but in order to be an editor of a magazine I had to become a publisher as well. I had to pay the bills. I had to worry about the printing and the paper manufacturing and the distribution of that magazine.
I always thought the editor should cut the film and so I'll come in and look at the movie. Just because that's the only way I can really see the ideas of the editor, it's really working together. Yes it's a hierarchy, yes I'm the boss, but I like to see and to think about the idea, and it's about us asking, 'do we have to say that?' and, 'how do we make it there?' So it's advising the editor, it's very give and take, it's very free, but in the end, it's wonderful once you get through the first couple of cuts.
"I think we'll have a good potato crop this year," a newspaper editor told his housekeeper one morning. "No such thing," asserted the housekeeper. "I think the crop will be poor." Ignoring her remark, the editor caused to be inserted in the evening paper his estimate of the crop situation. That night when he returned home he found the housekeeper waiting for him with a sheepish grin on her face and a copy of the paper in her hand. "I was wrong," she said apologetically. "It says right here in the paper that the crop will be excellent this fall."
What makes a good editor is staying the hell out of the way as much as possible. ... If you're a DC or Marvel or Dark Horse or BOOM! editor who's assigning work, then if you did your job properly to begin with, then the people you've hired can be trusted to do what they do without excessive meddling. The ideal situation you're shooting for as an editor is to groom a collaborative creative team to the point where their work sails effortlessly through production and the most you have to do is fix the spelling and the commas.
If an editor can only make people angry enough, they will write half his newspaper for him for nothing.
I wrote a query letter to an editor - a friend of a friend. The editor called me an idiot, told me never to contact an editor directly, and then recommended three literary agents he had worked with before. Laurie Fox was one of them, and I've never looked back.
An editor should tell the author his writing is better than it is. Not a lot better, a little better.
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