A Quote by Mark Twain
Every improvement that is put upon the real estate is the result of an idea in somebody's head. The skyscraper is another idea; the railroad is another; the telephone and all those things are merely symbols which represent ideas. An andiron, a wash-tub, is the result of an idea that did not exist before.
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I sell ideas. Actually, if you think about it, everything is really no more than idea. The past is nothing more than a memory, which is one kind of idea. The future is still a hope, another kind of idea. The present is fleeting and becomes a memory before you can put your hands on it. All ideas. I sell ideas.
I feel like there's a voice in my head, always, telling me every idea is brilliant, and another telling me every idea is the worst. And they argue in my head until somebody wins, until I solicit an audience to be, like, 'Will you help me figure this out? Is this the best or the worst idea?' And they tell me!
Now, ideas are the raw material of progress. Everything first takes shape in the form of an idea. But an idea itself is worth nothing. An idea, like a machine, must have power applied to it before it can accomplish anything. The men who have won fame and fortune through having an idea are those who devoted every ounce of their strength and every dollar they could muster to putting it into operation. Ford had a big idea, but he had to sweat and suffer and sacrifice to make it work.
Neither a person nor a nation can exist without some higher idea. And there is only one higher idea on earth, and it is the idea of the immortality of the human soul, for all other "higher" ideas of life by which humans might live derive from that idea alone.
The idea of Homo monolinguis - one-languaged man - the idea of children having to grow into one system before we confuse them with another mental system, is an idea with which, unfortunately, many people are brought up now.
This idea that somehow or another, every idea on its face, because it's an idea, has some validity is ludicrous.
[Buckminster] Fuller's idea of progress is a very 1950s organization man out of the military sort of idea of progress. So as a result, you have something like: we've got bad weather in New York City; let's put a dome over it. And so I don't want to put a dome over Manhattan and I hope that nobody who ends up reading the book wants to do so as a result.
The impossibility of separating the nomenclature of a science from the science itself, is owing to this, that every branch of physical science must consist of three things; the series of facts which are the objects of the science, the ideas which represent these facts, and the words by which these ideas are expressed. Like three impressions of the same seal, the word ought to produce the idea, and the idea to be a picture of the fact.
The really good idea is always traceable back quite a long way, often to a not very good idea which sparked off another idea that was only slightly better, which somebody else misunderstood in such a way that they then said something which was really rather interesting.
Every action is an idea before it is an action, and perhaps a feeling before it is an idea, and every idea rests upon other ideas that have preceded it in time.
God is Godless. God is an idea that we have, another construct, a prop, which doesn't suggest that God doesn't exist. God is existence. But your idea of God and existence are two different things at the moment.
Our patriotic fervor was the result of the old and widespread belief in the idea of American exceptionalism, the idea that America was a new thing in history, different from other countries. Other nations had evolved one way or another, evolved from tribes from a gathering of clans, from inevitabilities of language and tradition and geography. But America was born, and born of ideas: that all men are created equal, that they have been given by God certain rights that can be taken from them by no man, and that those rights combine to create a thing called freedom.
A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
If you don't like an idea, put another idea against it! If you use your fist against an idea that you don't like, you only prove how horribly primitive you are!
I've known people who had fantastic ideas, but who couldn't get the idea off the ground because they approached everything weakly. They thought that their ideas would somehow take off by themselves, or that just coming up with an idea was enough. Let me tell you something - it's not enough. It will never be enough. You have to put the idea into action. If you don't have the motivation and the enthusiasm, your great idea will simply sit on top of your desk or inside your head and go nowhere.
The problem with most of the want-to-be authors is that they are unable to focus. Either they have no idea of where to begin, or they have hundreds of ideas and don't know which one to pick. Both scenarios leading to one result... they give up even before they start.
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