A Quote by Mark Twain

There are German songs which can make a stranger to the language cry. — © Mark Twain
There are German songs which can make a stranger to the language cry.
For me, at least, much of the German I see and hear sounds stranger than Swedish, a language of which I unfortunately understand very little.
I'm German! Actually, I love my countr, ;I love the language. The German language is very special because it is so precise. There is a word for everything. There are so many wonderful words that other languages don't have. It is impressive to have such a rich language, and I love to work in that language.
Today, for a Jew who writes in the German language, it is totally impossible to make a living. In no group do I see as much misery, disappointment, desperation and hopelessness as in Jewish writers who write in German.
I love Billy Joel. I cry sometimes when I hear 'The Stranger.' 'You May Be Right' may be one of the greatest songs ever written.
The larger the German body, the smaller the German bathing suit and the louder the German voice issuing German demands and German orders to everybody who doesn't speak German. For this, and several other reasons, Germany is known as 'the land where Israelis learned their manners'.
All German women are beautiful. It's not for nothing that we talk of the German "Fräuleinwunder." You don't get this word in any other language.
The first song I remember listening to in a language other than German was 'Goldfinger,' by Shirley Bassey. I was seven years old at the time and I had no idea which language it was or who the lady was singing it, but it touched me and I realised that it was the sort of music I liked.
Mine would be Your Song, which is just one of his ones that I... I was actually glad the whole song wasn't played in this film and it's just a few bars of it because it makes me cry. You know, there are some songs that just make the hairs on the back of your neck just stand up? That's one of those for me - I put it on if I want a good cry.
Legends of the Silver Stallion had been told for years now, whenever mountain stockmen met round the campfires or on the winding hill tracks. Songs were sung about him to the cattle and both songs and tales had become even stranger since his supposed death when he vanished through the wind and the night over a great cliff. Tales kept cropping up of a ghost horse seen, or imagined, roaming over the mountains at night, of stockmen waking in a hut at midnight, hearing the tremendous stallion’s cry which could only be Thowra’s
It is not like studying German, where you mull along, in a groping, uncertain way, for thirty years; and at last, just as you think you've got it, they spring the subjunctive on you, and there you are. No- and I see now plainly enough, that the great pity about the German language is, that you can't fall off it and hurt yourself. There is nothing like that feature to make you attend strictly to business.
Do not count the days, do not count the miles. Count only the Germans you have killed. Kill the German - this is your old mother's prayer. Kill the German - this is what your children beseech you to do. Kill the German - this is the cry of your Russian earth. Do not waver. Do not let up. Kill.
I always say if music can't make you cry, you're a hopeless case. I don't cry very much myself, but it's my job to make you cry.
The conservatory professors thought everything should sound like French and German symphonies. But to my ear, bouzouki songs, which tell the sufferings and heartaches of ordinary people, offered a way to make classical music available not just to the upper classes.
I've got songs that'll make a gangster cry.
Half of us are partly German! Half our language and culture, generally, in Anglo-Saxon terms, is German.
I wish to make add my voice to the cry which rises up with increasing anguish from every part of the world, from every people, from the heart of each person, from the one great family which is humanity: it is the cry for peace!
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