A Quote by Mark Twain

I don't believe any of you have ever read Paradise Lost, and you don't want to. That's something that you just want to take on trust. It's a classic ... something that everybody wants to have read and nobody wants to read.
A classic is something that everybody wants to have read and nobody wants to read.
If you care about the news and write what you want to read - not just what you think Google search wants to read - there are people out there who want to read it.
My attitude is that if anybody of any age wants to read a book, let them, but I do think that no child would want to read Boneland.
My attitude is that if anybody of any age wants to read a book, let them, but I do think that no child would want to read 'Boneland.'
Read. You don't have to read me. But just read. Read the best people. Everybody's trying to do the same thing, which is keep you turning pages. Everyone does it a different way. But we all want you to understand [our books].
But I have a list of books that I want to read before I die, and whenever I get time to read something that isn't a script, I'll read something from that.
I stopped reading William Faulkner because it's hard work. I want to read a good writer, but I also want to read something where the pages are going to move along. That's what I want. It doesn't have to be a thriller or a mystery. Just something where I get caught up in the story.
I'm not someone who has a list of great books I would read if I only had the time. If I want to read a particular so-called classic, I go ahead and read it. If I had more time, I would certainly read more, but I'd read the way I always do - that is, I'd read whatever happened to interest me, not necessarily classics.
A great story poorly told doesn't do anybody any good at all, and nobody wants to hear it, and nobody wants to read it. The craft of it is really more important than the subject matter.
If I read something great and I want to go after it, I go after it. You don't wait to see what Hollywood wants to do with you. You decide what you want to do. I don't mind fighting when I really want something.
Justice. To be ever ready to admit that another person is something quite different from what we read when he is there (or when we think about him). Or rather, to read in him that he is certainly something different, perhaps something completely different from what we read in him. Every being cries out silently to be read differently.
Don't try to guess what sort of thing editors want to publish or what you think the country is in a mood to read. Editors and readers don't know what they want to read until they read it. Besides, they're always looking for something new.
You have very short travel blogs, and I think there's a split among travel writers: the service-oriented writers will say, 'Well, the reader wants to read about his trip, not yours.' Whereas I say, the reader just wants to read a good story and to maybe learn something.
When I read something, I want to be surprised. So I read something and go, "Wow, I never, ever would have thought of playing this kind of role. This is exciting me, let's go do this."
I don't believe that poetry is in danger because nobody wants to read it or appreciate it. There is a tremendous audience for it on any given day or night. You just have to know where to look.
I've read a lot of classic literature from assorted cultures, and always glad to read more when one comes across my path - but why be embarrassed by the fact that flesh and blood has limits? Nobody's read everything.
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