A Quote by Mark Twain

It is not like studying German, where you mull along, in a groping, uncertain way, for thirty years; and at last, just as you think you've got it, they spring the subjunctive on you, and there you are. No- and I see now plainly enough, that the great pity about the German language is, that you can't fall off it and hurt yourself. There is nothing like that feature to make you attend strictly to business.
The Thirty Years' War, 1618-1648, was a series of conflicts that became the last great struggle of religious wars in Europe. It was fought almost exclusively on German soil...but before the war ended, it involved most of the nations of Europe. The underlying cause of the war was the deep-seated hostility between the German Protestants and German Catholics - with the Jesuits and Cardinal Richelieu, who was the real ruler of France, fanning the fires to accomplish their ends.
There is nothing false or arrogant about German pride in German technical and business skills.
The larger the German body, the smaller the German bathing suit and the louder the German voice issuing German demands and German orders to everybody who doesn't speak German. For this, and several other reasons, Germany is known as 'the land where Israelis learned their manners'.
My grandmother was German. She didn't teach any of her children German. She really wanted them to be American. And now, she's since passed away, I get so frustrated sometimes. I'm like, "Oh, Oma, why didn't you teach your kids German?" My dad would have spoken German to me from birth, and I would have spoken German.
I want to see religious instruction and sermons held in German in the mosques. The ideal, in my view, would be for imams to be trained in Germany and to speak our language, just as the Roman Catholic Church now holds mass in German and gave up Latin long ago.
Today, for a Jew who writes in the German language, it is totally impossible to make a living. In no group do I see as much misery, disappointment, desperation and hopelessness as in Jewish writers who write in German.
I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.
All German women are beautiful. It's not for nothing that we talk of the German "Fräuleinwunder." You don't get this word in any other language.
If I can send the flower of the German nation into the hell of war without the smallest pity for the shedding of precious German blood, then surely I have the right to remove millions of an inferior race that breeds like vermin.
The biggest issue for me has been the language because I speak so much German now. I've had to focus on my English and find more words to describe what I want to say and also soften my tone. It was quite stiff from 20 years of speaking German, so when I started speaking more English, oh my god, my tongue was like: 'Argh'!
what is a german? to say a man is a german, what is that? does it tell you if he is a good man? or a bad man? no, my friend, it tells you nothing about a man to say he is german. a man must think what he is inside. what he is on the outside, how can this matter?
And another thing about German symphonic development. I tell you, our cold kvass soup is a horror to the Germans, and yet we eat it with pleasure. And their cold cherry soup is a horror to us, and yet it sends a German into ecstacy. In short, symphonic development is just like German philosophy and soup-all worked out and systematized. When a German thinks, he reasons his way to a conclusion. Our Russian brother, on the other hand, starts with a conclusion and then might amuse himself with some reasoning.
I must say to you that my intensions for instance doing German, it is because Victoria de los Angeles is nothing to do with wanting to be like a German singer.
German is more familiar now since I live part of the year in Rome and part in the German part of Switzerland. But it's not difficult to sing in German; it's difficult to feel in German. This takes time. It's a culture.
A gifted person ought to learn English (barring spelling and pronouncing) in thirty hours, French in thirty days, and German in thirty years.
I studied German at school. I lived in Berlin for two years and had a German girlfriend for five years, so I don't find speaking German particularly difficult. Singing was slightly more difficult.
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