A Quote by Mark Twain

Tomorrow night I appear for the first time before a Boston audience - 4000 critics. — © Mark Twain
Tomorrow night I appear for the first time before a Boston audience - 4000 critics.
It doesn't matter what happened last night or the night - or tomorrow night. It's all about what you're doing with this audience right now.
Sometimes critics disagree with the audience, and that's fine. I make movies for the audience. I guess I hope that the critics like it, but on the other hand, I just really want the audience to like it.
Songs come alive every night and can be a new experience for someone. You might have someone in the audience who has never seen us before and hearing it for the first time. We are aware of that.
One of the great tools we use in acting is the idea of immediacy, that the audience gets to see you witness something apparently for the first time, so you create a lot of tools to kind of trick yourself into making it appear something is happening for the first time.
If the show is going really well and the comedian is still annoyed with the audience, chances are he's a Boston comic. That's the beauty of Boston comics.
I look at an audience kind of like meeting my in-laws for the first time. You want to be yourself, but you still want to be somebody that they like. When I go on the stage each night, I try my best to outguess my audience.
I can tell you that I can always recognize a Boston song, even if it's in a noisy place. I can hear that it's Boston even before I know what song it is. If a Boston song comes on in a club or somewhere, I notice that it's Boston, and the second thing I notice is what song it is.
From the windows of my office in Boston ... I can see the Golden Stairs from Boston Harbor where all eight of my great-grandparents set foot on this great land for the first time. That immigrant spirit of limitless possibility animates America even today.
I don't think the audience always listens to the critics. That's been proven time and time again.
When Emily Dickinson's poems were published in the 1890s, they were a best-seller; the first book of her poems went through eleven editions of a print run of about 400. So the first print run out of Boston for a first book of poems was 400 for a country that had fifty million people in it. Now a first print run for a first book is maybe 2,000? So that's a five-time increase in the expectation of readership. Probably the audience is almost exactly the same size as it was in 1900, if you just took that one example.
I just saw the movie for the first time in its entirely last night. It's really cool when you're in with an audience that's so tuned in and plugged in to what's going on.
I'm not trying to brainwash my critics. If they're critics, they're critics, and that's their job to be critical, but I certainly enjoy the involvement I have with my fans. I enjoy the time I get to spend with them, and I don't waste time with someone stubborn who is not going to come around.
It was when Boston invited us to do a parade one November, and I was the only [Star Wars] cast member skeptical of the willingness of people to come out to see us five actors drive by in antique cars in the Boston rain. Well, it was the first time I really understood the show's popularity.
I had written a book called "Boston Boy" some years ago, and that took me from the time I could speak, I guess, in Boston through the time when I finally left to come to New York. One was understanding and coping with anti-Semitism. Boston, at the time, was the most anti-Semitic city in the country. And I found out when I was an adolescent that you have to be crazy to go out after dark all by yourself; you'd get your head bashed in.
One night in a club in Boston, I tried the name Roger Duck. No laughs. The next night, I tried Orson Bean, putting together a pompous first name and a silly second name. I got laughs, so I decided to keep it.
You're your first best audience, long before anybody else hears you. So don't be an easy audience. Keep asking for more.
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