A Quote by Mark Twain

In Austria an editor who can write well is valuable, but he is not likely to remain so unless he can handle a sabre with charm. — © Mark Twain
In Austria an editor who can write well is valuable, but he is not likely to remain so unless he can handle a sabre with charm.
It was in 1590--winter. Austria was far away from the world, and asleep; it was still the Middle Ages in Austria, and promised to remain so forever. Some even set it away back centuries upon centuries and said that by the mental and spiritual clock it was still the Age of Belief in Austria. But they meant it as a compliment, not a slur, and it was so taken, and we were all proud of it. I remember it well, although I was only a boy; and I remember, too, the pleasure it gave me.
You cannot write well or much (and I venture the opinion that you cannot write well unless you write much) unless you form a habit.
The National Socialist Party in Austria never tried to hide its inclination for a greater Germany. That Austria would one day return to the Reich was a matter of course for all National Socialists and for true Germans in Austria.
I feel like I have more experience with publishing humor than pretty much any editor I'm going to be dealing with so sometimes I'll get a little bit nuts if I write something I know is good a certain way, and some editor because of some restriction he has and wants to change it that I know is going to make it less funny that'll piss me off and then I'm inclined to go, "Well, hey I've been doing this a long time, maybe you should..." That doesn't happen that often, but I'm more likely to say that now than I would have been a long time ago. Because dammit, I'm infallible!
This is the Unix philosophy. Write programs that do one thing and do it well. Write programs to work together. Write programs that handle text streams, because that is a universal interface.
I do not think that one is likely to write a good biography unless one feels some sympathy with its subject.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
Charm is more valuable than beauty. You can resist beauty, but you can't resist charm.
Germany neither intends nor wishes to interfere in the internal affair of Austria, to annex Austria, or to conclude an Anschluss
Louis Brandeis really inspired me to write this book [Louis D. Brandeis: American Prophet]. It was a crazy deadline. The editor said I'd miss the hundredth anniversary unless I pumped the thing out in six months, because I'd been delaying and dilly dallying for so long. So he both inspired me to get up early and write.
When you write, you want fame, fortune and personal satisfaction. You want to write what you want to write and feel it's good, and you want this to go on for hundreds of years. You're not likely ever to get all these things, and you're not likely to give up writing and commit suicide if you don't, but that is -- and should be -- your goal. Anything else is kind of piddling.
It was not until I began to write a book called 'Light Years' that an editor really stepped in. The editor was Joe Fox at Random House, and he wound up editing a subsequent book.
One of my first jobs was as a recipe tester for a PR agency. One week, the editor of 'Housewife' magazine called my boss and asked me to write a column - the cookery editor had gone away on a press trip. I was terrified.
Everything I write, I've written the first draft in Austria.
I can't really write unless I'm full of inspiration. And even then I can't write unless I have some alone time.
You must always work not just within but below your means. If you can handle three elements, handle only two. If you can handle ten, then handle only five. In that way the ones you do handle, you handle with more ease, more mastery, and you create a feeling of strength in reserve.
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