A Quote by Mark Twain

Anybody can have ideas-the difficulty is to express them without squandering a quire of paper on an idea that ought to be reduced to one glittering paragraph.
To get the right word in the right place is a rare achievement. To condense the diffused light of a page of thought into the luminous flash of a single sentence, is worthy to rank as a prize composition just by itself...Anybody can have ideas--the difficulty is to express them without squandering a quire of paper on an idea that ought to be reduced to one glittering paragraph.
Added to the difficulty of learning to speak the language was the greater difficulty of finding terms to express the ideas which the missionary had come halfway round the world to convey.
The information in DNA could no more be reduced to the chemical than could the ideas in a book be reduced to the ink and paper: something beyond physics and chemistry encoded DNA.
Lagrange, in one of the later years of his life, imagined that he had overcome the difficulty (of the parallel axiom). He went so far as to write a paper, which he took with him to the Institute, and began to read it. But in the first paragraph something struck him that he had not observed: he muttered: 'Il faut que j'y songe encore', and put the paper in his pocket.' [I must think about it again]
Why is it that we remember with difficulty and without difficulty forget? Learn with difficulty and without difficulty remain ignorant?
C++ is designed to allow you to express ideas, but if you don't have ideas or don't have any clue about how to express them, C++ doesn't offer much help.
Mathematicians may flatter themselves that they possess new ideas which mere human language is as yet unable to express. Let them make the effort to express these ideas in appropriate words without the aid of symbols, and if they succeed they will not only lay us laymen under a lasting obligation, but, we venture to say, they will find themselves very much enlightened during the process, and will even be doubtful whether the ideas as expressed in symbols had ever quite found their way out of the equations into their minds.
So uncritically do we accept the idea of property in ideas that we don't even notice how monstrous it is to deny ideas to a people who are dying without them.
I like to talk about weirdness. We all have strange thoughts and ideas, and when you really trust someone you can express them. And they can express them to you, and that's one of the joys of life.
I could draw ideas. I remember writing a paper for a seminar class. I remember writing a paper about - and this is going to sound really sort of pretentious, but that's where my mind was at the time - how acting and the performing artist can really be like a Bodhisattva, how they can communicate ultimately an idea in a way that can move and shift things. And that was wonderful. I didn't know many classes where I could try and relate the thing that I really loved and wanted to do into an intellectual idea, and that happened to be one of them.
The greatest difficulty in the world is not for people to accept new ideas, but to make them forget old ideas.
The acts of the mind, wherein it exerts its power over simple ideas, are chiefly these three: 1. Combining several simple ideas into one compound one, and thus all complex ideas are made. 2. The second is bringing two ideas, whether simple or complex, together, and setting them by one another so as to take a view of them at once, without uniting them into one, by which it gets all its ideas of relations. 3. The third is separating them from all other ideas that accompany them in their real existence: this is called abstraction, and thus all its general ideas are made.
a novel is not born of a single idea. The stories I've tried to write from one idea, no matter how terrific an idea, have sputtered out and died by chapter three. For me, novels have invariably come from a complex of ideas that in the beginning seemed to bear no relation to each other, but in the unconscious began mysteriously to merge and grow. Ideas for a novel are like the strong guy lines of a spider web. Without them the silken web cannot be spun.
Ideas become powerful only if they appear in the flesh; an idea which does not lead to action by the individual and by groups remains at best a paragraph or a footnote in a book.
Whenever I teach writing I tell them to never revise as you go. Finish the first draft. This is my writing advice. I can't do that myself. I'm lying to everybody. I write a paragraph, and then I rewrite that paragraph. I want to feel like I'm standing on firm ground before I move on to the next paragraph. Mentally, I have to do that.
I am terribly interested in the paragraph: the paragraph as an object, the construction, and the possibilities of what a paragraph can do.
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