A Quote by Mark Van Doren

There are two statements about human beings that are true: that all human beings are alike, and that all are different. On those two facts all human wisdom is founded.
There are something like 18 billion cells in the brain alone. There are no two brains alike; there are no two hands alike; there are no two human beings alike. You can take your instructions and your guidance from others, but you must find your own path.
There are only two kinds of people who do not commit any sins: Unborn human beings and dead human beings!
There is a double rhythm in all human beings. We are binary beings - two arms, two legs, two eyes, two ears. Two legs for walking. And the heartbeat thumping in our chest mirrors that.
Relationship between human beings is based on the image-forming, defensive mechanism. In our relationships each of us builds an image about the other, and these two images have relationship, not the human beings themselves.
I have learned two lessons in my life: first, there are no sufficient literary, psychological, or historical answers to human tragedy, only moral ones. Second, just as despair can come to one another only from other human beings, hope, too, can be given to one only by other human beings.
It's appalling that there have to be movements organized to give human beings the right to be human beings in the eyes of other human beings.
I don't go and ask my friends for favours. They are real, true, incredible amazing human beings with good hearts. They have evolved as human beings. I have evolved as a human being and I have let this wall down that I had.
This much I have learned: human beings come with very different sets of wiring, different interests, different temperaments, different learning styles, different gifts, different temptations. These differences are tremendously important in the spiritual formation of human beings.
From the moment of birth, at every level, human beings who are more alike than different become polarized into two absolutely exclusive classes with very different and ill-distributed symbolic powers.
You just cannot cut a country in two any more than you can cut a human being in two. If you do, you do not have two human beings; you have a corpse.
I think that as human beings, we quite naturally take for granted what is similar among human beings and, then, pay attention to what differentiates us. That makes perfect sense for us as human beings.
Art arises in those strange complexities of action that are called human beings. It is a kind of human behavior. As such it is not magic, except as human beings are magical. Nor is it concerned in absolutes, eternities, "forms," beyond those that may reside in the context of the human being and be subject to his vicissitudes. Art is not an inner state of consciousness, whatever that may mean. Neither is it essentially a supreme form of communication. Art is human behavior, and its values are contained in human behavior.
Even dogs and horses have their actions modified by association with human beings; they form different habits because human beings are concerned with what they do.
There is no limit to suffering human beings have been willing to inflict on others, no matter how innocent, no matter how young, and no matter how old. This fact must lead all reasonable human beings, that is, all human beings who take evidence seriously, to draw only one possible conclusion: Human nature is not basically good.
As all human beings are, in my view, creatures of God's design, we must respect all other human beings. That does not mean I have to agree with their choices or agree with their opinions, but indeed I respect them as human beings.
In film, there are two ways of including human beings. One is depicting human beings. Another is to create a film form which, in itself, has all the qualities of being human: tenderness, observation, fear, relaxation, the sense of stepping into the world and pulling back, expansion, contraction, changing, softening, tenderness of heart. The first is a form of theater and the latter is a form of poetry.
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