A Quote by Mark Van Doren

The job of the poet is to render the world-to see it and report it without loss, without perversion. No poet ever talks about feelings. Only sentimental people do. — © Mark Van Doren
The job of the poet is to render the world-to see it and report it without loss, without perversion. No poet ever talks about feelings. Only sentimental people do.
The job of the poet is to render the world - to see it and report it without loss, without perversion. No poet ever talks about feelings. Only sentimental people do.
The poet or the revolutionary is there to articulate the necessity, but until the people themselves apprehend it, nothing can happen ... Perhaps it can't be done without the poet, but it certainly can't be done without the people. The poet and the people get on generally very badly, and yet they need each other. The poet knows it sooner than the people do. The people usually know it after the poet is dead; but that's all right. The point is to get your work done, and your work is to change the world.
He was a great poet" They lamented. No, he was not a great poet," said Theo, "He was a good poet, he could have been better. That's the real loss don't you see?
The poet's job is to put into words those feelings we all have that are so deep, so important, and yet so difficult to name, to tell the truth in such a beautiful way, that people cannot live without it.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
Campion is a poet who knows that what a poet sees is nothing without a mixture of formal prowess and emotional insight.
There is this tendency to think that if you could only find the magic way, then you could become a poet. "Tell me how to become a poet. Tell me what to do." . . . What makes you a poet is a gift for language, an ability to see into the heart of things, and an ability to deal with important unconscious material. When all these things come together, you're a poet. But there isn't one little gimmick that makes you a poet. There isn't any formula for it.
It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.
A poet sees a flower and can go on and on about how beautiful the colors are. But what the poet doesn't see is the xylem and the phloem and the pollen and the thousands of generations of breeding and the billions of years before that. All of that is only available to the scientists.
A great poet ought to a certain degree to rectify men's feelings... to render their feelings more sane, pure and permanent, in short, more consonant to Nature.
The poet must decide not to impose his feelings in order to write without sentimentality.
I'm a political poet - let us say a 'human' poet, a poet that's concerned with the plight of people who suffer. If words can be of assistance, then that's what I'm going to use.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
Do not ever read books about versification: no poet ever learnt it that way. If you are going to be a poet, it will come to you naturally and you will pick up all you need from reading poetry.
The poet wants justice. And the poet wants art. In poetry we can't have one without the other.
Ah! two desires toss about The poet's feverish blood; One drives him to the world without, And one to solitude.
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