A Quote by Mark Vonnegut

Having their feelings make sense is how people get their kicks. — © Mark Vonnegut
Having their feelings make sense is how people get their kicks.
Feelings aren't sensible. Sometimes you fall in love with people who don't make sense. And the ones who do make sense turn out to be the wrong ones.
How often in your life have you been criticized for having the feelings you do?. Did this make you feel invalidated?. How often do you simply stuff your feelings and agree with others, saying yes, when you really mean no.
I deal with students every day - from China, Germany, the United States, Hong Kong and Taiwan. And I've noticed that the Chinese students are the least trained in having a sense of aesthetics. They lack any ability to sense what is beautiful or what is proper. They can be learned and skillful, but they lack the ability to make their own free judgment. It is really sad to see young adults of 20, 25 years who were never taught to make their own decisions. People who can't do that don't get a sense of responsibility. And if you lack a sense of responsibility, you push the blame onto the system.
I'm having this disbelief and dissatisfaction with an establishment that feels like it's moving backward, and I think there's a similar feeling with everyone of my age and in the world of music and artistic stuff. Art is an important way those feelings get expressed and help people process their feelings and opinions.
I studied psychology in school, and I learned how to understand people's feelings, how to get along with people and relate to people.
I'm not good at having friends. I mean, I can make myself useful to people. I can fit in. I get invited to parties and I can sit at any table I want in the cafeteria. But actually trusting someone when they have nothing to gain from me just doesn't make sense. All friendships are negotiations of power.
I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.
You have absolutely no regard but yourself and your damned kicks. All you think about is what's hanging between your legs and how much money or fun you can get out of people and then you just throw them aside. Not only that but you're silly about it. It never occurs to you that life is serious and that there are people trying to make something decent out of it instead of just goofing all the time.
In good novelistic fashion, the discovery I’ve made is that it’s complicated. I think that’s one of good things about exploring these questions in a non-polemic, fictional way: you get to feel out territory rather than take positions. Through writing this, I can understand the impulse to faith, how people make meaning, how people make community, without having to say, do this, don’t do that, or I believe, I don’t believe.
Everybody watches free-kicks, and when you watch them, you enjoy them. You have got to learn how to shoot and connect with the ball and how to move your leg. For everybody, it is different, but if you want to score lots of goals, then free kicks is an extra way to do that.
The more defensive and angry I get, the more I later discover those feelings are usually just projections of feelings I am having towards myself.
Beckham takes free kicks better than me. It is a joy to watch him take free kicks and he has proved that free kicks are not all about power.
There's no "should" or "should not" when it comes to having feelings. They're part of who we are and their origins are beyond our control. When we can believe that, we may find it easier to make constructive choices about what to do with those feelings.
I can understand in some sense, having played the character, how unimaginably frustrating it is for people to tell you that you can't love who you love, because you ain't going to change it, and so they have to get out of your way
I can understand in some sense, having played the character, how unimaginably frustrating it is for people to tell you that you can't love who you love, because you ain't going to change it, and so they have to get out of your way.
You have to make those mistakes. You have to do the work. You have to fail. I also realized that I should practice what I preach, which is that if you only do get one kick at the can . . . When you go to places like Africa or Asia or the Indian sub-continent, you realize that a lot of the people there don't ever get a kick at the can. There are no "kicks" at the can - you just don't have that shot.
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