A Quote by Mark Wahlberg

The best part of a great movie is a great villain and I usually have a tendency to root for the bad guy. — © Mark Wahlberg
The best part of a great movie is a great villain and I usually have a tendency to root for the bad guy.
I always root for the bad guy and I don't think you have a great movie without a great villain.
If a great part comes up and the guy's meant to have an Eastern European accent, great; but if it's a bad part I won't take it.
As a villain or a superhero, as a good guy or a bad guy, I think I can do, at this point, 'Okay, whatever you need boss. Is this what you need? Great, I will grab the brass ring doing it.'
I worked with J. T. Walsh - it was one of the best experiences I ever had - a fantastic actor and a great guy. I was in the last movie that he did: 'The Negotiator.' He died a couple of months after that. He was great.
Ninety-nine percent of the time, when it comes down to it, if I have the choice between a great role and seeing a new guy, I would probably go for the great role because I figure if the guy's really that great that he'll be around once I'm done with the movie.
'Con Air' was kind of a turning point for me, in my mind. I never shot anybody in that movie - I never did anything bad - because there were so many bad guys in that movie. I said, 'The hell with this, I'm just gonna be a lovable guy.' I'm like Steve McQueen in 'The Great Escape.'
The spy genre is something I loved.It also extends to the bad guy because I think, to me, what I love the most about the spy genre is when you have a great bad guy. What makes a great bad guy, to me, is the logic. What he's about has to make sense to me, that if I was in his shoes, yeah, right, that makes sense.
There's actually a big difference between story and character. A great story doesn't make a great movie. A great script, which defines its moments and characters can become a great movie. You can make a movie that makes a lot of money and it may or may not have great story or great characters.
I have great confidence in Taiwan's democracy. I have great confidence in the universal value and in basic human rights, and I have great confidence that referenda will eventually take root and become part of our daily lives in Taiwan.
You can have a great script, or a great director and a bad script, and get a great movie. Nothing really guarantees anything.
Every movie goes through that U-shape where you start with 'Oh that's a great idea. I love it.' Everything's possible and then you face 'Oh, we can't do that, and that's impossible, and that's a bad choice.' You go the practicality of it. And then you come up to 'Great.' But that middle part is when you don't have results yet.
In the best works of fiction, there's no mustache-twirling villain. I try to write shows where even the bad guy's got his reasons.
Just because I'm confident and will tell you that I'm awesome and that I'm great, I'm all of the sudden the bad guy? Why am I always the bad guy?
I certainly don't like to play a bad guy. There are no bad people. It's only shades of grey. Also, I am not a great actor who can transform completely into a totally different character for a movie. I am not a trained actor.
It is neither a great praise nor a great blame when people say a tendency is in or out of fashion. If a tendency is as it should be at one time, it is always as it should be.
I have a suspicion, because if you look at the whole, all the [Star Wars ] movies, the backlog of every one of these movies, there's a lot of great stuff, but one might not be not as good with the writing in this or the acting in that or the directing in that, this has great actors, great directors, great script, and I really feel like we're gonna make the best one [movie with Young Han Solo].
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