A Quote by Mark Wahlberg
Movies have kind of become a tad bit uninspired, in that the big studio movies are spending more money to chase the big money with all these franchises and superhero movies. Some of them have been great, but some of them are a little tiresome.
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I want to make big movies - but I don't want to have to die a little death every single time I do. Until I meet the people or the studio or the business people who will let me do things a little bit more the way that I need to do them, I probably shouldn't be making big studio movies.
I'm excited that 'The Good Guy' is getting distribution because indie movies they're not - people ran out of money and they're not making these movies anymore. It's all superhero movies or real obvious tent pole studio films.
Stars make money on real movies. They make big money on real movies. To come into my world, I've got some M&Ms and some potato chips, and I'm asking you to move furniture.
Yeah, when you work with somebody that famous everybody wants to know what are they like or - but I know some of the movies that I know because they're more like NOBODY'S FOOL or like that, because I don't really watch the big R movies, I haven't really seen them so much. I loved him [Bruce Willis] from his TV show and some of the smaller movies he's done. The bigger movies I start to space out in, like, there just so, I don't really watch those kind of movies so much.
You could just do independent movies, but I like bigger kind of studio movies, at least some of them.
If I had done some of the movies that I was offered as an actor - and very good movies, by the way, and some of them big moneymakers - I don't know that I ever would have taken what was the concentration or the time to do the movies that I produced. 'Reds' is a good example, but 'Shampoo' is also an example, and so was 'Heaven Can Wait.'
The movies have never been a big deal to me. The movies are the movies. They just make them. If they're good, that's terrific. If they're not, they're not. But I see them as a lesser medium than fiction, than literature, and a more ephemeral medium.
Hollywood's a big place, and they make all sorts of different movies. Some movies I'm attracted to; a lot of the movies I'm not. But there are some terrifically talented people over there that I'd love to work with.
Look, I've done some low-budget movies and I've done some big-budget movies, and the big-budget movies were always kind of disorganized.
I don't like my movies. I prefer John Ford's movies. I've made some movies that are interesting, or that have some point, or are more or less beautiful. But I've never made anything big to me, from my point of view. "Big" like John Ford or someone of that kind. I say John Ford because he is my favorite director.
There is no free lunch, so if you're playing with the big train set - on big movies - it's a lot of money they're entrusting you with, and you have to get that money back for them. I don't take that responsibility lightly.
There's a lot of movies, and I've made some of them that could be categorized this way, but there's definitely been a trend in animated features of all types to be a little bit cynical, if you will, to have a little bit of 'knowing' humor to them, kind of a wink to the audience.
I would love to do a big studio movie, just because they're going to put the money into distributing it. A lot of times you do these little movies, you love them and they never get seen by anyone.
The transition from tiny movies to less tiny movies to really big movies has been actually quite seamless in a lot of ways as far as my experience of acting in them.
It costs a lot of money to release a movie. What you'd call art-house movies - movies that don't have big stars or big budgets - they're very hard for distributors to get behind 'em and take chances.
There have been movies like 'Paranormal Activity' or 'Blair Witch Project' in Hollywood that showed you could do movies with little or no money. It doesn't prevent them from creating larger than life spectacles as well.
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