A Quote by Mark Wahlberg
It's funny, because when you're younger you're in a rush to be 18 or 21 or whatever. But then you hit 30. And now, the days go by like hours. You think, 40, man, this could be the halfway point. It could be the three-quarters point, you know? Who knows?
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When I was 18, I was playing to 18 to 21-year-olds, and then, when I was 25, still playing to 18 to 25-year-olds. As I've gone on, the crowd has gone in both directions, both younger and a little older now than it's ever been. It is an interesting thing to hit 30.
I think as English people, we don't want to be reminded that at one point we ruled three-quarters of the globe, and now we're a very small country that doesn't own three-quarters of the globe.
I wish I could write about shows outside New York. I often feel like the last person to know anything, because I almost never get to leave town, and when I do, I tend to go for three days max. Seeing between 30 and 40 shows a week in 100 or so galleries and museums takes up nearly all my time.
Moving is what the deal is. I wish I could spend more time in places, but I find I either want to be in a place for an afternoon or like 10 days or a month. I don't like the two-day thing, so I just wish the drives were shorter so you could wake up, take a walk, and spend three hours in one part of the town. I always thought there should be 28 or 30 hours in a day - you know what I mean?
I don't think I thought I was going to go into music, and I don't think it hit me until I was 13 or 14, and then I was gone. Just like that. At that point, there was nothing else that could keep my attention.
Donald Trump didn't have much in the bank at all, to the tune of three-point-some-odd million dollars, whereas Hillary has something like (I don't know; I forget the number), $35 million or $40 million that she can legally spend now president the point was made that the Democrats did the same thing to Mitt Romney back in 2012 before Romney could spend the money that he had raised.
I’m going to kill myself. I should go to Paris and jump off the Eiffel Tower. I’ll be dead. you know, in fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or wait a minute. It -- with the time change, I could be alive for six hours in New York but dead three hours in Paris. I could get things done, and I could also be dead.
I've spent many hours of my life browsing in stores. At 21, I admired clothes I couldn't afford. At 30, I bought them. At 40, I sometimes go simply for the pleasure, of seeing what is new, of learning what counts as beautiful now.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
At some point I go back on the sand to get my sand legs. Because it takes a good month for my legs to catch up with everything, with the displacement and all that stuff. So right now we're training on the beach six days a week for practice, and that's generally about two and a half hours. And then I'm doing pilates three times a week.
Americans now know that housing prices can go down and they can go down by 10, 20, 30, and in some cases, 40 or 50 percent. We know they can go down. But five years ago, we thought they could only go up.
This is going to sound pretentious, but I like comedy that addresses something I find either worrisome or interesting in my life. I like Louis C.K.'s stuff or Bill Burr's stuff. I feel like there's comedy where someone will think of something that they think will work comedically, and then they reverse engineer that point of view so they can say that funny thing. The comedians I like, it could be an allusion, but it feels like their point of view comes first and then the jokes are a reflection of what they actually believe, or are frightened of, or are curious about, or are interested in.
We went in and recorded exactly where we were at that point in time. I think because of the quality of musicianship of the band has given it the longevity. I thought the music would endure, I didn't think I would ... I always thought I'd be dead by 30, then dead by 40 and on and on. Now I'm 55 so I didn't even die at 50.
You try to do as much as you can on set because practical looks cool and practical looks great. Until you get to a point where the reality is you look at it - and I went through this in my last movie which was a war film, which my brother fought in Iraq and I did a ton of research and as much as I could made it documentary-like - and then at some point on set, the reality is somebody says to you, "You know, you can use a real squib and you can have three hours of clean up and you can lose five shots or we can do that blood explosion in post and you can get those five extra shots."
I've gone more than 40 years without having to use an alarm clock or go to an office. At this point, I don't think I'd be capable of not writing. I don't think I could deprive myself of that sky. It would be like putting an animal in a cage.
You can’t say ‘if this didn’t happen then that would have happened’ because you don’t know everything that might have happened. You might think something’d be good, but for all you know it could have turned out horrible. You can’t say ‘If only I’d…’ because you could be wishing for anything. The point is, you’ll never know. You’ve gone past. So there’s no use thinking about it.
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