A Quote by Mark Waid

You don't want to hit readers over the head like they're completely incapable of picking up on subtlety. — © Mark Waid
You don't want to hit readers over the head like they're completely incapable of picking up on subtlety.
I dislike that premise implies that a fiction writer is incapable of dreaming up stories that can bring readers to tears, that if you are lucky enough to be living a pretty sedate life ,as I am, you've got nothing worthy of writing about, that you're incapable of making a reader's gut wrench.Frankly, that's what makes readers nervous, the sorcery of you or me or any good fiction writer making up characters who feel like real people, of telling a story that feels true but isn't.
You can be Michael Moore and make 'Fahrenheit 9/11,' but that's hitting people over the head, and a lot of Americans don't like to be hit over the head. I want to make films that make people walk out and say, 'Wow, I really question if this is all right.'
I feel like as a linebacker or a D-lineman, any cut, it's a man sport -- be a man, hit me up high, Hit like rams. You don't see a ram going and cutting another ram's legs. They hit head to head, pad to pad.
There was a band in Australia named Midnight Oil, and they were a very, very political, and they literally hit you over the head with a hammer. U2 sometimes can hit you over the head with a rubber hammer.
I want people, when they remember me, to think of the Hall of Pain, when I was catching guys, 275 pounds. Picking up Big Show, close to 500 pounds, over my head and driving him through a table.
The subtlety of nature is greater many times over than the subtlety of the senses and understanding.
Then I heard another shot which hit him right in the head, over here, and his head practically opened up and a lot of blood and many more things came out.
As the skipping rope hit the pavement, so did the ball. As the rope curved over the head of the jumping child, the child with the ball caught the ball. Down came the ropes. Down came the balls. Over and over again. Up. Down. All in rhythm. All identical. Like the houses. Like the paths. Like the flowers
Sweep picking is when the right hand sweeps down and up the strings in succession. But when you do sweep picking, one note rings into the next, and it sounds almost like you're playing a chord, and that's exactly what you don't want.
In low comedy, a character gets hit in the head, and you don't really believe it. In farce, he's hit in the head, but he must be hit in the head. The character requires it.
Doing the sword fighting is like picking up a dance routine... I think dancing really helps with the picking up of it.
She'd hit me before but never over and over and over and over into the head.
She wanted to wake up like Dorothy and see Michael's face peering over the side of the bed, laughing. WHY, YOU JUST HIT YOUR HEAD. But it was not a dream and there was no Kansas and he was never coming back.
I was haunted by trainers going "Up, up, up, get up." You find yourself picking your head up and then realizing, They aren't talking to me.
I think when somebody goes to the movies and they spend their money and they take the girl out, the family, they want to have a good time. You don't always want to be hit over the head with history or how bad society is.
Working with Julie Andrews is like getting hit over the head with a valentine.
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