A Quote by Mark Waid

Anyone can write a detective story about a detective who fails, for Pete's sake. That's pretty unambitious. — © Mark Waid
Anyone can write a detective story about a detective who fails, for Pete's sake. That's pretty unambitious.
What I try to do is write a story about a detective rather than a detective story. Keeping the reader fooled until the last, possible moment is a good trick and I usually try to play it, but I can't attach more than secondary importance to it. The puzzle isn't so interesting to me as the behavior of the detective attacking it.
Occasionally, I have written about stories related to crime, but I have never attempted a traditional detective story. So I want to write a true detective story.
The average detective story is probably no worse than the average novel, but you never see the average novel. It doesn't get published. The average -- or only slightly above average -- detective story does.... Whereas the good novel is not at all the same kind of book as the bad novel. It is about entirely different things. But the good detective story and the bad detective story are about exactly the same things, and they are about them in very much the same way.
I think the detective story is by far the best upholder of the democratic doctrine in literature. I mean, there couldn't have been detective stories until there were democracies, because the very foundation of the detective story is the thesis that if you're guilty you'll get it in the neck and if you're innocent you can't possibly be harmed. No matter who you are.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
Mysteries include so many things: the noir novel, espionage novel, private eye novels, thrillers, police procedurals. But the pure detective story is where there's a detective and a criminal who's committed a murder and leaves clues for the detective and the careful reader to find.
I don’t think I would ever want to be a writer of detective stories - but I would like to be a detective and there is a large deal of detection in the short story.
But the first published thing I did was a detective story, detective novel, and I did that on my own.
I've always had the wish, the nostalgia to be able to write detective novels. At heart, the principal themes of detective novels are close to the things that obsess me: disappearance, the problems of identity, amnesia, the return to an enigmatic past.
American violence is public life, it's a public way of life, it became a form, a detective story form. So I should think that any number of black writers should go into the detective story form.
When you're a detective on the midnight shift, you don't have a specialty: you roll on any time they need a detective, whether it's big or small.
to keep believing in life, until you're sure of death, it's the way a detective should be." - Kogoro Mouri, Detective Conan
I think there's part of me that's longing to play a Sherlock Holmes or sort of a House character, like a real detective. Like a real, moody detective. Like a real, sarcastic, mentally ill detective. I think it would be really fun to do something like that.
In detective stories . . . I alternately identify myself with the murderer and the huntsman-detective, but . . . there are those to which this vicarious outlet is too mild.
It is ridiculous to set a detective story in New York City. New York City is itself a detective story.
I've always wanted to play a detective. Always loved detective shows, right back to 'Columbo', 'The Rockford Files', 'Starsky & Hutch'.
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