A Quote by Mark Waid

When you're a kid, regardless of the age you grew up, everything is high opera. With hormones raging, you have to fight external and internal battles that you've never had to deal with before. Unlike Tony Stark and Steve Rogers, who have seen it all and been through it all, everything heightens the drama.
It seems that one moment I was this little kid only caring about animals and flowers and stuff, and then the next minute I was this raging stew of hormones. I don't know if you've ever been a raging stew of anything, but I wouldn't particularly recommend it.
My dad taught me to play the guitar. We grew up with country music. We had every Willie Nelson record (laughs). I was saved at a young age and had a great desire to follow God. I was really focused on that through my whole life, even as a kid and through high school.
This is the burgeoning days of feminism. This is when the militant feminists are the feminism hormones are raging. They are excited. They are happy. This is a new day! They are through being plugged into these formulas where men run everything and you're in servitude to them.
There's a reason Tony Stark makes fun of 'Thor,' and mentions 'Shakespeare' in the park in 'The Avengers.' It's great to play high drama and comedy alongside a modern story.
Everything that happens in my day is a transaction between the external world and my internal world. Everything is raw material. Everything is relevant. Everything is usable. Everything feeds into my creativity. But without proper preparation, I cannot see it, retain it, and use it. Without the time and effort invested in getting ready to create, you can be hit by a thunderbolt and it'll just leave you stunned.
I am not a big crier. But I'd say it was after the Mendes fight. It was not because of the fight as such. It was everything leading up to it. It had been such a tough time. When I did my knee, I had some very dark times. Life is all about ups and downs and I'd say there had been a lot of downs, but I got through it, I won and after the fight, I was standing in the shower and I was crying, just letting it all go.
I call everything Steve. Since I was little, I'd go on, like, holiday and call hermit crabs Steve. And I still do. I'll name a snail Steve. Everything is called Steve in my world. My car is also called Steve.
The road's a tough life, but I said 'yes,' because as a kid growing up in Ohio, I never had a chance to see a Tony-winning actress in a role she won the Tony for.
Everything I've done I've always kind of jumped in headfirst, and it's been a learning curve. Even MuchMusic, I had never done live television before, and all of a sudden you show up, and they're like, 'You ready kid? Let's go.'
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
I grew up thinking that it's okay to be sad, angry, and express your emotions. I have also banged doors and fought, as I have seen my mom do that when she would fight with my dad. Everything that I've learnt is from them, so I've never struggled to express myself.
We're sort of putting a slightly different spin on Steve Rogers. He's a guy that wants to serve his country, but he's not a flag-waver. We're reinterpreting, sort of, what the comic book version of Steve Rogers was.
I've been singing my whole life, since I was a kid; but never formally as a career. I did it in plays when I was younger, and I sang all styles of music: everything from Italian opera to blues.
My work speaks of the finite and the infinite, of the macroscopic and the microscopic, the internal and external, by the masculine and feminine powers, but sex is like a snake, it slithers through everything.
The Tony Stark I grew up with wasn't as snappy and as quippy as Downey Jr. made him, but now I only think of his performance.
I grew up in the '70s and '80s, at a time that I'd argue was the absolute golden age of American popular culture. Because not only did we have all of the fantastic new stuff in print and on screens, but we had a constant supply of everything that came before, as well.
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