A Quote by Mark Waid
Serial fiction is a conceit of comic books and soap operas. As one goes, so goes the other in terms of public consciousness.
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Since I was eight years old. I didn't have a TV, so comic books were definitely my television, my soap operas, and all that.
I was 11 and watching soap operas with my mom, and I thought it would be cool to be an actor. I thought soap operas was going to be the dream at the time - it's obviously now not the dream, but I think soap operas are really cool. Maybe I'll go back to that.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
I've done soap operas in New York, playing a continuing character who goes through changes and develops, but none of that has created the enduring interest that 'Twin Peaks' has.
If you want to do other things, you have to leave soap operas, otherwise you'll be there forever, which is not bad, you know. Some people have made a great living off of being on soap operas. But if you want to branch out you have to leave early, otherwise you'll never get the shot.
A lot of comic conventions go way beyond comic books and include other parts of pop culture, like celebrities and science fiction and movies and books. So I go to them either as a celebrity, or as a fan, because I'm a big sci-fi geek.
I grew up reading comic books. Super hero comic books, Archie comic books, horror comic books, you name it.
Comic books sort of follow with the move - if people see the movie and if they're interested in the character and want to see more of the character, they start buying the comic books. So a good movie helps the sale of the comic books and the comic books help the movie and one hand washes the other. So, I don't think there's any reason to think that comics will die out.
Why does one never hear of government funding for the preservation and encouragement of comic strips, girlie magazines and TV soap operas? Because these genres still hold the audience they were created to amuse and instruct.
While we are being fascinated by the tales of famous serial killers and how they were brought to justice, the real serial killer goes about his business with hardly a thought to being caught.
Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
I actually worry that we're so mindlessly following the herd on privacy and data being the principle concerns when the actual things that are affecting the felt sense of your life and where your time goes, where your attention goes, where democracy goes, where teen mental health goes, where outrage goes.
I watched a lot of soap operas, when I was growing up, and a lot of those great serialized soap dramas.
The soap opera was so long ago - the thing about soap operas, and there's something to be said for doing it, but you do a script a day. I don't want to say it's a training ground; it really isn't, but what it does teach you is discipline.
Early on, America took one path and went down the advertising road, and in the UK they founded the BBC and developed a different kind of public broadcasting. There was a point where TV was so beholden to commercial interest that people - civil society - actually rose up and said, "This is ridiculous: we have our soap-selling soap operas, cigarette-sponsored news broadcast; we have our rigged quiz shows - let's put some checks and balances here."
Donald Trump is an entertainer. Okay. He goes on shows like Howard Stern's to get people to watch his program. "The Apprentice" or buy his books or whatever. When he goes in there, he back then when it happened was basically trying to entertain. All right. So he had no public policy on his mind, none of that. All right. He's an entertain.
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