A Quote by Mark Waid
Younger characters are just much more emotional.
Related Quotes
What's interesting is that younger characters just have a more vibrant, exciting point of view on the world. They are more emotional, they are more dramatic, and they are just electric.
I really enjoy playing intelligent characters. I'm more interested in that than just emotional kind of Mum characters.
Very thorough in the rehearsal process but more in terms of just understanding the characters, understanding where the actors are at with discovering those characters for themselves, and just setting an overall emotional tone for the piece as opposed to necessarily getting things up on their feet or staging scenes.
As of late, I am more of a homebody. I like having people over. You can smoke in the apartment. I'm just not into going out so much. The crowd is getting younger and younger.
I think I was a bit naive when I was younger. I don't know what it was: I sort of felt tunnel vision - I didn't really have peripheral vision or see the world and what was happening. I'm much more worldly, and I believe that I'm much more grounded in my body than I probably was when I was younger.
When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about.
Characters that are not the norm or a bit out of the ordinary are always a challenge as an actress. You learn more by using different tools for those type of characters. They are always much more fun to play and much more interesting. They take you places that you wouldn't necessarily go in your everyday life.
The characters that have greys are the more interesting characters. The hero who sometimes crosses the line and the villain who sometimes doesn't are just much more interesting.
I think sometimes people become quite emotional about the characters as well, and that's pretty cool that you can get that emotion out of people. And I think that's more my motivation than like, "Hey I want to be the funny guy, I want to be that famous funny guy." That doesn't sit as well with me as the idea of taking people on this ride and taking them into the illusion of the characters. That's much more exciting for me.
I became an actor at a very young age, but I also had a deep respect for nature and I think I was sort of a little biologist when I was younger. I watched documentaries on rainforest pollution and the loss of species and habitats for animals around the world. It affected me in a very hardcore, emotional way when I was younger. So, later in life I wanted to continue that path more and investigate and learn more about ecological issues.
In my standup work, I always do these characters, older people who are just off to the side. It's easier to write a story about the guy who made it to the top, but the middle is so much more interesting, so much more murky.
[The] majority of the girls working there had major emotional problems. And not cries-too-much emotional problems; more like stabs-her-boyfriend-with-a-steak-knife-then-falls-into-a-corner-and-starts-whispering-to-herself emotional problems.
I see this with experienced writers, too: They worry so much about the plot that they lose sight of the characters. They lose sight of why they are telling the story. They don't let the characters actually speak. Characters will start to dictate the story in sometimes surprising, emotional, and funny ways. If the writers are not open to those surprises, they're going to strangle the life, spark, or spirit out of their work.
Bombino's a super modest guy, very nice. His whole crew is a bunch of characters and he's definitely the Grand Poobah. I don't think the other guys are that much younger than him, but he definitely feels like the wise man; you just sort of get that sense when you're around him. He doesn't say that much but he's humble and well-respected.
What I like about 'Paper Girls' in particular is that, because we're approaching it more from a female perspective, we're able to consider the emotional states of these characters a little bit more and think more of their interiority.
What I like about Paper Girls in particular is that because we're approaching it more from a female perspective, we're able to consider the emotional states of these characters a little bit more, and think more of their interiority.
Related Authors
Ayn Rand Quotes
Russian
Writer
C. S. Lewis Quotes
British
Writer
Francois de La Rochefoucauld Quotes
French
Writer
Gilbert K. Chesterton Quotes
English
Writer
H. L. Mencken Quotes
American
Writer
Haruki Murakami Quotes
Japanese
Writer
Kurt Vonnegut Quotes
American
Writer
Leo Tolstoy Quotes
Russian
Writer
Mark Twain Quotes
American
Writer
Mason Cooley Quotes
American
Writer
Ray Bradbury Quotes
American
Writer
Samuel Johnson Quotes
English
Writer
Seth Godin Quotes
American
Writer
Sherrilyn Kenyon Quotes
American
Writer
Suzanne Collins Quotes
American
Writer