A Quote by Mark Waid
I love what Max Landis is doing with 'Superman: American Alien.' That's a really good book.
Related Quotes
In my head, the 5 issues of A Spoon Too Short comprise one novel: a 100 page graphic novel sequel to Douglas' two Dirk books, taking some of the ideas he was working on before he died, and a whole bunch of new stuff from me and a little from Max Landis (who is the Executive Producer on the book as well as writing the forthcoming TV series).
We've tried to make a Superman movie where he does stuff and you go, 'Yeah, if I was Superman, that's what I'd do.' Even though he's an alien, he's more relatable, more human.
So I'm not really quite sure what Landis' plans were to make another one. The American Werewolf in Paris was a completely separate story.
I started thinking, 'What if Superman or Batman really existed?' Superman would be doing Nike commercials. The members of Youngblood take the genre of super-heroes and turn it into a business.
Any superhero, regardless of how different they are from Superman, recalls Superman in some way. They're either pushing against Superman or reflecting Superman; there's something about them that comes from Superman.
The first time I drew a Superman story was 'For Tomorrow' with Brian Azzarello in 2004. It didn't really hit me how important it was until I drew a scene early-on in the book that featured Superman crossing paths with a giant, intergalactic space armada.
American writers often say they find it difficult to write Superman. They say he's too powerful; you can't give him problems. But Superman is a metaphor. For me, Superman has the same problems we do, but on a Paul Bunyan scale. If Superman walks the dog, he walks it around the asteroid belt because it can fly in space. When Superman's relatives visit, they come from the 31st century and bring some hellish monster conqueror from the future. But it's still a story about your relatives visiting.
I love you Max,"Fang said..."God, Max I love you so much." I know. I thought. I've always known
'Superman' has always been about Lois Lane, Superman and Clark Kent and this love triangle between these three people who really are only two people.
That's a KORTAN DAHUK. That's the first alien we see in the film [Valerian]. That's another artist. The first one was Chinese, the one with the space station. This one is American. Personally, that's my favorite alien. I love him. I love his profile and his face. There is such a sweetness and almost a sadness in his face.
What are you doing here?” [ndr prison] Selling Girl Scout cookies,” I said. “Want some? The Samoas are terrific.” (Max II to Max)
I began thinking there should be an American phrase book, 'cause I've got an Italian phrase book, and an Arabic one... now a British one. I think it'd be pretty good to have an American phrase book.
The thing with Superman is that he's completely emotionally open to the reader. Meaning what he tells you is what he's feeling; there's a transparency there. And what he tells other characters is usually as transparent as can be. What he says he believes in. So there's an honesty that is both really inspiring writing the character. One thing I love about Clark Kent is that there is a badassery that you don't see a lot. Even as Superman, he's always kind of restraining himself. When you challenge him, I think there's nobody that has a stronger spine than Superman.
Superman didn't become Superman. Superman was born Superman. When Superman wakes up in the morning, he's Superman. His alter ego is Clark Kent. His outfit with the big red "S", that's the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears - the glasses, the business suit - that's the costume. That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.
The book, Max on Life, is really kind of a second chance to answer these questions.
'Superman' had nothing to do with the superhero or physical power. It's a reference to the book 'Thus Spoke Zarathustra,' by Friedrich Nietzsche, who wrote about the evolution of consciousness to reach a higher superman state.
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