Everyone likes a bit of variety. I'm sure none of my readers only want to read about anti-heroes or villainous protagonists any more than they only want to read about square-jawed heroes doing the right thing. I just write characters than entertain me and hope they'll be ones that other people want to read about, too.
I think there's a moral imperative when you're writing fictional heroes to give characters who somehow give us something to aspire to as opposed to dragging them down to our level.
My heroes are all dead. I've lots of heroes. My mum is a hero. She had to put up with me and my dad. She is one of my heroes. Some of my friends are heroes. There are so many. But heroes usually let you down, don't they? There is people I admire, people I respect.
I'm saying to be a hero it means you step accross the line and are willing to make a sacrifice, so heroes always are making a sacrifice. Heroes always take a risk. Heroes always deviant. Heroes always doing something that most people don't and we want to change - I want to democratise heroism to say any of us can be a hero.
I'm saying to be a hero is means you step across the line and are willing to make a sacrifice, so heroes always are making a sacrifice. Heroes always take a risk. Heroes always deviant. Heroes always doing something that most people don't and we want to change - I want to democratise heroism to say any of us can be a hero.
I don't have individuals that are heroes per say but I will suggest that teachers are heroes for me, our firefighters are heroes for me, our police departments are heroes for me and our leaders are heroes for me.
Heroes? Vietnam Vets are heroes. The guys who tried to rescuse our hostages in Iran are heroes. I'm just a hockey player.
It is much more fun to write about villains then heroes. The villains are the ones that think out the scheme, and the heroes just kind of come along for the ride.
If we want an America of heroes, we need to cherish our heroes of the past.
I never start out with any kind of connecting theme or plan. Everything just falls the way it falls. I don't ever think about what kind of fiction I write or what I am writing about or what I am trying to write about. When I'm writing, what I do is I think about a story that I want to tell.
Black people who want to do comedy go into standup, where our heroes opened a lot of doors. Improv doesn't have a ton of heroes that you can look to.
If someone comes to me with a script and says, 'Sir, this hero...' I'm like, 'Is there a name, or he is just called a hero?' We are not heroes. Heroes are people fighting for us at the border. We are not heroes; we are just doing our job.
I don't write about love because it makes for easy, passive heroes. I write about how love makes my characters more autonomous, more self-possessed, more opinionated and powerful. I write about characters who pursue relationships that make them the people they want to become. I write about love as a superpower.
If one of my heroes comes to me and says, 'Do you want to work on something?' I just say, 'Yes.' I don't ask for details; I don't expect to get paid anything. I just love working with my heroes.
I'm a huge fan of the book and Stephen King is one of my big heroes, literary heroes, and I am a fan, and I want to see a movie of 'It.'
I don't want to write poems that are just really clear about how I'm aware of all the traps involved in writing poetry; I don't want to write fiction that's about the irresponsibility of writing fiction and I've thrown out a lot of writing that I think was ultimately tainted by that kind of self-awareness.