A Quote by Mark Walport

Henry Wellcome certainly was a talented character with a colorful and amazing personal story. — © Mark Walport
Henry Wellcome certainly was a talented character with a colorful and amazing personal story.
Wellcome Collection will be an exciting place in which to explore themes of human well-being, starting with the powerful collections of Sir Henry Wellcome.
The O. Henry has become lingua franca among writers for saying, 'That guy can write a story.' It's prestigious, respected, coveted, dreamed about. It's very satisfying to be included in this group of writers. Here's a koan: Could O. Henry win an O. Henry?
I'll never accept that I'm a sex symbol. That will mean that someone is a bit too fond of himself. If it happens, I think it's certainly going to be odd. People shouldn't see me as a sex symbol. I'm really just Henry. I'm just telling a story. I could be playing an incredibly unpleasant character who's not sexually attractive at all in my next movie. So I've no expectations at all.
For the last 20 years of my life, I've had the mantra to do amazing parts with amazing people in amazing projects, so I'm attracted to good story, writing and character and good people. That's what I'm always searching for and I don't think that's ever going to change.
That's what was so amazing about 'Mulan.' Here is this story with all Chinese characters, and yet so many people related to her character and loved the story. So I really think as long as you have a good story that relates to a lot of people, it doesn't matter what ethnicity it is.
In 'Henry V,' the story of the assumption of true and responsible leadership by Henry I think is hard-won. He has to lose friends; he has to risk his life.
Wellcome Trust focuses on supporting outstanding researchers, accelerating the application of research, and exploring medicine in historical and cultural contexts. We believe passionately that breakthroughs emerge when the most talented researchers are given the resources and freedom they need to pursue their goals.
I am an actor and I do not have to relate to whatever I play on screen them at a personal level. What is important is to understand the character, do enough homework to know the frame of mind of the character or his back story.
The fact that I get to write and direct my own personal story is an amazing thing.
Taiwan politics certainly is colorful.
I am certainly not the most talented player in the world; there's many a more talented player than me.
I feel very lucky to be part of this amazing show [Exorcist] with such an amazing cast of actors, with a really talented writer behind it all.
What drew me to Batman in the first place was Bruce Wayne's story, and that he's a real character whose story begins in childhood. He's not a fully formed character like James Bond, so what we're doing is following the journey of this guy from a child who goes through this horrible experience of becoming this extraordinary character. That, for me, became a three-part story. And obviously the third part becomes the ending of the guy's story.
Before World War II, I was living a very cloistered existence, as most cartoonists do. The work I was pouring out did not come from any real, personal life experience; this was all the residue of the accumulation of Rafael Sabatini, O. Henry, all the short-story writers that I'd been reading.
'Guild Wars 2' is a wider world in that we have a lot of different mechanics available for storytelling. We have our personal story, the story of you, which is tailored for your character. You answer some basic questions; you make some decisions early on, and that follows through.
No one was more important to the game of baseball in the last half of the 20th century than Henry Aaron and no one writes about that supremely talented man, that tumultuous time and this treasure of a game better than Howard Bryant. Together, they are an extraordinary combination, and the book Bryant has written gets to the heart of the complicated and dignified, patient and consistent genuine hero that is Henry Aaron.
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