A Quote by Mark Z. Danielewski
'Lord of the Rings' was a set of books in which the world had been conceived before the characters were placed within that context.
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When Peter Jackson did The Lord of the Rings trilogy with Fellowship of the Ring, not everyone had read Tolkien, and yet somehow with that scope and the spectacle of that fantasy, people were willing to give it a shot. And when they watched the first one, the characters drew them in and they started understanding the story. And then, all of a sudden, they were The Lord of the Rings fans, even if they never read Tolkien.
When I first decided I wanted to be a writer, when I was 10, 11 years old, the books that I loved obviously and openly fit that description: They came with maps and glossaries and timelines - books like Lord Of The Rings, Dune, The Chronicles Of Narnia. I imagined that's what being a writer was: You invented a world, and you did it in a very detailed way, and you told stories that were set in that world.
In the evening he went to the cinema to see "The Lord of the Rings", which he had never before had time to see. He thought that orcs, unlike human beings, were simple and uncomplicated creatures.
The composers could no longer direct all performances in person, and so the responsibility of interpreting their works in the spirit in which they had been conceived was placed upon conductors.
If you do a black character or a female character or an Asian character, then they aren't just that character. They represent that race or that sex, and they can't be interesting because everything they do has to represent an entire block of people. You know, Superman isn't all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn't do just one book. We had to do a series of books and we had to present a view of the world that's wider than the world we've seen before.
'Lord of the Rings' was going on; like, my college years were the years of 'Lord of the Rings,' an awesome time to be in film school.
Ultimately, if the character is interesting and you said that before: It doesn't matter if it's likable. That's really what it is. If they interest you. If the context in which the characters are set interests you then I think then you're pulled in by it.
They were the books to read, 'The Hobbit' and 'The Lord of the Rings.' A rite of passage going through life.
You decide which characters you want and then do the best you can to bring their humanity to the forefront in the context that you place them in - the crises in which you've placed them.
There are great science books that were conceived as books. Feynman's famous introductory lectures in physics, which have a beginning and an end, which are written with style.
A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
Shivaji was the greatest Hindu king that India had produced within the last thousand years; one who was the very incarnation of lord Siva, about whom prophecies were given out long before he was born; and his advent was eagerly expected by all the great souls and saints of Maharashtra as the deliverer of the Hindus from the hands of the Mlecchas, and as one who succeeded in the reestablishment of Dharma which had been trampled underfoot by the depredations of the devastating hordes of the Moghals
'Lord of the Rings' was a childhood favorite, though the adult Rae wishes the women in those books had more significance and agency.
Long before you were conceived by your parents, you were conceived in the mind of God.
My family's a huge fan of 'Lord of the Rings.' My dad probably preaches from 'Lord of the Rings' as much as he does the Bible.
The 'Jamestown' set was so convincing. It had been raining for a few days before we started filming, and when we turned up, we were knee-high in mud. There were pigs and goats everywhere, too, which meant the whole place smelled pretty ripe. It definitely helped us enter the 'Jamestown' world immediately.
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