A Quote by Mark Zandi

Predicting recessions is indeed a dark art, but I think we are several years away from the next one. — © Mark Zandi
Predicting recessions is indeed a dark art, but I think we are several years away from the next one.
To understand the difficulty of predicting the next 100 years, we have to appreciate the difficulty that the people of 1900 had in predicting the world of 2000.
Within 2 years Im predicting...that youre going to see a suitcase nuke in this country. Youre probably going to see a release in a few years of something communicable. & I am predicting that you will see a lot of conventional bombings...in the next year or so.
Theater is a very changeable art. It responds to the moment in history the way the newspaper does, and there's no predicting what to come up with next.
There is a discrepancy of somebody going to an art dealer and promising what they'll make for the next three years. And I'm old fashioned that way; I think that every exhibition you make is supposed to put you in the world, that the next exhibition is spinning off of that. It's almost like a riff. And if you know what you're going to do for the next three years, why don't just do it the final point? You would think, in a progressive situation, that the final would be the best.
For the first fourteen years for a rod they do while for the next as a pearl in the world they do shine. For the next trim beauty beginneth to swerve. For the next matrons or drudges they serve. For the next doth crave a staff for a stay. For the next a bier to fetch them away.
I spent several years in a north Vietnamese prison camp in the dark, fed with scraps. Do you think I want to do that all over again as vice president of the United States?
I typically don't get into predicting the success of my projects. I've been involved with a lot of projects that I thought should have really gained notoriety and furthered my career, only to be met with the cold grasp of disappointment. So I typically stay away from predicting how a film will do.
Markets work best when there's lots of information available and a historical track record to go on; they excel at predicting things like horse races, election outcomes, and box-office results. But they're bad at predicting things like who will be the next Supreme Court nominee, as that depends on the whim of the president.
If you want a simple model for predicting the unemployment rate in the United States over the next few years, here it is: It will be what Greenspan wants it to be, plus or minus a random error reflecting the fact that he is not quite God.
What art should do, I think, is advance the generation into the next era. It should be one step ahead of the ordinary, ahead of what is already known. Art is what pulls on the next age. I’m not saying that my art is that, but that it would be good if it could be.
The next moment is as much beyond our grasp, and as much in God's care, as that a hundred years away. Care for the next minute is as foolish as care for a day in the next thousand years. In neither can we do anything, in both God is doing everything.
If being an anti-art artist is difficult, being an anti-art art historian is a hard position indeed. His doctrinal revolutionism brings forth nothing new in art but reenacts upheavals on the symbolic plane of language. It provides the consoling belief that overthrows are occurring as in the past, that barriers to creation are being surmounted, and that art is pursuing a radical purpose, even if it is only the purpose of doing away with itself.
I think it is a huge honor to get to go play for the troops who have been working their tails off for several years, some with several tours under their belt.
Indeed I do not think we should be justified in using any but the more sombre tones and colours while our people, our Empire, and indeed the whole English-speaking world are passing through a dark and deadly valley.
The consequences of our actions are always so complicated, so diverse, that predicting the future is a very difficult business indeed.
The best merchants in the world aren't the ones predicting what's cool next; we're the ones dictating what's cool next.
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